Pinchas Zukerman Masterclass: A Few Notes

pinchas_zukermanWorld-famous violinist Pinchas Zukerman gave a masterclass at BYU last week. He worked with 3 violinists. There were, of course, plenty of technical things that he talked about, particularly about bowing—bow hold, bow angle, bow speed, etc.—that don’t apply directly to brass playing. One overriding concept, however, was very relevant. In every case, he slowed the students way down (to very slow quarter notes) and worked on getting a full, relaxed, resonant sound. Nothing else mattered until that was in place.

As I mentioned, bowing seemed to be a point of emphasis. I grew up around violin playing—My mother and 5 of my siblings play/played—so I realize this is a big deal. Mr. Zukerman emphasized a natural, relaxed, open approach. For brass and woodwinds, bowing translates roughly to breathing (the thing that gets the vibration started), which is something that’s a little harder to scrutinize for us because it’s mostly hidden. We can, however, work on taking full, relaxed breaths and using air in a relaxed, efficient way. The bottom line, and the concept I really took away from the masterclass, is an overarching emphasis on a full, relaxed, resonant sound. A great reminder for all musicians!

Trombone History: Two Very Different Images

Added the following images, quite a bit different in character, to the 17th Century (first half) and 19th Century (2nd half) timelines, respectively. The similarity, of course, is that they both include a trombone.

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Balen banquet detailc. 1610—Antwerp, Belgium: Hendrick van Balen’s painting, The Banquet of the Gods, includes a trombone resting on the ground among several other instruments (see bottom right of facing detail; public domain image). For other paintings by the same artist that include trombone, see c. 1615 and c. 1625.

French-Natl-Guard1858—London, England: An illustration of the band of the French National Guard published in London’s Illustrated Times includes trombone (see facing image; public domain).

Trombone History: Double-loop Trombone Paintings

Added the below image by Balen to the 17th century (first half) timeline. The concentration of paintings from this time period that feature trombone is really remarkable.

Minerva muses detailMinerva musesc. 1615—Antwerp, Belgium: Hendrick van Balen’s painting, Minerva among the Muses, on the cover of a virginal belonging to Queen Maria Kazimiera Sobieski, features a trombone among several instruments resting on the ground. The trombone is somewhat unusual because of the double loop of tubing on the back of the instrument. Queen Maria, originally from Poland, marries King James Stuart and spends most of her life in Rome. Hendrick van Balen, the artist, is a mannerist from the Antwerp School (see facing detail and full image, below) (source: wikimedia commons).

5 Senses small (1618)It is probably not a coincidence that another Flemish painting from the same time period, this one a collaboration by Jan Brueghel the Elder and Peter Paul Rubens in 1617-18, shows a trombone in a nearly-identical position, with the same double-loop. The two string instruments laying across each other nearby are also nearly identical. The title is The Sense of Hearing (see facing detail; public domain).

The Basics: Leonard Bernstein’s “5 Priorities”

BernsteinSam Pilafian was recently a forum speaker here at BYU. He gave an excellent talk on his musical influences, among whom was Leonard Bernstein, who taught him at Tanglewood. According to Sam (and I realize this is 3rd-generation information, but it’s good advice anyway), Bernstein said he had 5 priorities in picking musicians for an orchestra. No real surprises—the first three I often call the “3 non-negotiables” of performance—but the list is a good reminder of basic priorities:

1) Tone

2) Rhythm/Time

3) Intonation

4) Dynamics

5) Musicality

Trombone History: Pair of images from The Graphic

Added a pair of images from The Graphic, an illustrated weekly newspaper published in London, to the 19th (2nd half) and 20th century timelines. The first one appears to be a somewhat satirical depiction of a German band, which would seem to fit into the general pattern of satirical or humorous images from the late 19th century that include trombone. The second one, a depiction of a group of wind musicians performing from a tower or balcony of some sort, couples nicely with the timeline’s previous image, a greeting card depicting 3 trombonists playing from a tower (see 1904 in the 20th century timeline).

German-Band1872—London, England: A humorous depiction of an ensemble titled German Band is published in The Graphic, an illustrated weekly newspaper (see facing image; public domain).

Belfry1906—London, England: The Graphic, an illustrated weekly newspaper, publishes a drawing by Lucas of 5 wind musicians playing from a balcony. Two of the five appear to be valve trombones (see facing image; public domain).

Added Trombones: Enjoying the Full Sound Potential

Added the below entry to the 18th Century Trombone History Timeline. I think Mr. Rey may have been on to something.

1799—Paris, France: Jean-Baptiste Rey conducts a revival of Gluck’s Armide. Composer C.H. Plantade, armed with a score of the work, notices that various trombone lines have been added in the performance. Plantade then complains in a letter to the Courrier des spectacles, saying, “masterpieces should be left alone.” Rey replies in his own defense that he sees no problem with enjoying “the full sound-potential” of his ensemble (Charlton).

Google Analytics Tidbits: Sneaking up on 2,000

At the end of every month I get a website report from Google called “Google Analytics.” It details all sorts of things, including how many visits the site had that month, which pages are getting viewed most, which countries people are visiting from, which keywords people are using to find the site, how long people are staying on the site, etc. I’m always intrigued, in my own nerdy little way. Number of visits has been increasing pretty steadily since the site’s inception; October’s total was 1,982—sneaking up on 2,000!

Here are a few interesting tidbits:

•Number of visits from each of the last 5 months: 764, 1091, 1149, 1482, 1982.

•Most popular pages: home page, trombone timeline, alto trombone, blog (trombone history category), blog (general).

•Most common keywords people use to find the site: alto trombone, trombone history, will kimball trombone, will kimball, trombone history timeline.

Traffic sources: search engines (64%), referring sites (28%), direct traffic (8%).

•Most frequent countries to access the site: US, United Kingdom, Australia, Canada, Germany.

Other countries to access site (most visits to least): Spain, Italy, Netherlands, New Zealand, Brazil, France, Poland, Belgium, Switzerland, Philippines, Czech Republic, Norway, Russia, Latvia, Sweden, Indonesia, Portugal, Mexico, Malaysia, Japan, Ireland, Taiwan, Austria, Finland, China, and many more (78 countries total).

•Percentage new visits: 72.7

•Average time on site: 3:15

Trombone History: Mini-Bibliography

Where to start? Writing a trombone history paper and want to know where to begin? Below is a condensed bibliography listing some good introductory sources. The first category contains books on trombone (or brass in general), while the second contains a sampling of sources that are not trombone-specific, but are nonetheless rich in material about the history of the trombone.

TROMBONE-SPECIFIC SOURCES

BainesBaines, Anthony. Brass Instruments: Their History and Development. New York: Dover Publications, 1993.

An old classic, originally published in 1976, that still features a good deal of useful information on all the brass instruments, including trombone.

GroveBaines, Anthony. “Trombone,” in New Grove Dictionary of Music and Musicians, 2nd ed. London: Macmillan, 2001.

Encyclopedia article, written by Anthony Baines and revised by Myers and Herbert, containing a fairly large amount of useful information about the history of the trombone. Traditionally a common launching point for research on the trombone.

CarterCarter, Stewart, ed. Perspectives in Brass Scholarship: Proceedings of the International Historic Brass Symposium, 1995. Stuyvesant, NY: Pendragon Press, 1998.

A compilation of specialized, well-documented articles dealing with historical issues. Trombone-rich articles include “The Invention of the Slide Principle and the Earliest Trombone” (Polk), “Cornets & Sagbuts: Some Thoughts on the Early Seventeenth-Century English Repertory for Brass” (Duffin), “Georges Kastner on Brass Instruments” (Carter), “The Reconstruction of Nineteenth-Century Band Repertoire” (Herbert), “Trumpets, Cornets, Trombones, and Horns in the St. Petersburg Museum of Musical Instruments” (Koshelev), and others.

dietrichDietrich, Kurt. Jazz ‘Bones: The World of Jazz Trombone. Rottenberg: Advance Music, 2005.

Thoroughly-researched history of jazz trombone, the best of its kind. Appropriately emphasizes major figures, while also including significant detail about lesser-known subjects, such as trombonists in early jazz history.

Guion coverGuion, David. The Trombone: Its History and Music, 1697-1811. New York: Gordon and Breach, 1988.

Well-documented book that includes extensive quotations from primary sources, including several translations not easily found elsewhere.

cambridge brassHerbert, Trevor and John Wallace, eds. The Cambridge Companion to Brass Instruments. Cambridge: Cambridge University Press, 1997.

Like Perspectives in Brass Scholarship (above), this book consists of a number of specialized, thoroughly-referenced articles compiled into a single volume, although this volume includes more material about the recent history of brass instruments. Trombone-rich articles include “‘Sackbut’: the early trombone” (Herbert), “The low brass” (Bevan), “Brass in the modern orchestra” (Wills), “Brass solo and chamber music from 1800″ (Wallace), “Frontiers or byways? Brass instruments in avant-garde music” (Wills), and others.

HerbertHerbert, Trevor. The Trombone. New Haven: Yale University Press, 2006.

Excellent comprehensive study of the trombone. Only a few years old, it is already considered the instrument’s definitive history.

NaylorNaylor, Tom L. The Trumpet & Trombone in Graphic Arts, 1500-1800. Nashville, TN: Brass Press, 1979.

The best single-volume source for trombone iconography (the way the instrument has been portrayed visually throughout history). It should be noted that the images, although there are many, are limited to black and white prints and drawings. Paintings, sculptures, and other visual art are not included, leaving out some of our instrument’s most useful (not to mention beautiful) iconography; see, for example, paintings included in the 17th century timeline.

NON-TROMBONE SOURCES

Bowles coverBowles, Edmund A. Musical Ensembles in Festival Books, 1500-1800: An Iconographical and Documentary Survey. Rochester, NY: University of Rochester Press, 1989.

An in-depth study of festival books, records of important celebrations kept by rulers of state and other people of influence. Includes extensive mention and visual representation of trombones, particularly in the first half of the book. Oversized volume usually found in the “quarto” section of the stacks.

D'AcconeD’Accone, Frank A. The Civic Muse: Music and Musicians in Siena during the Middle Ages and the Renaissance. Chicago: University of Chicago Press, 1997.

As the subtitle of the book indicates, this is a history of music in Siena, Italy, during the Middle Ages and Renaissance. Written by a leading musicologist, the book features large spans in which trombone is mentioned on virtually every page, brimming with interesting details about the activities of Italian trombonists during the late Medieval and Renaissance eras.

MacdonaldMacdonald, Hugh. Berlioz’s Orchestration Treatise: A Translation and Commentary. Cambridge: Cambridge University Press, 2002.

Excellent translation of Berlioz’s landmark orchestration treatise with extensive commentary by a prominent Berlioz scholar. Trombone is discussed in several contexts. A great source for information about the Romantic-era trombone in France.

PolkPolk, Keith. German Instrumental Music of the Late Middle Ages. Cambridge, 1992.

A well-researched book that includes significant information about the early history of the trombone, documenting, among other things, the fact that much of the earliest history of the trombone took place in Germany.