SELECTED WORKS FOR ALTO TROMBONE AND VOICE

Albrechtsberger, Johann Georg (1736-1809). Aria de Passione Domine (c. 1757). Alto trombone, alto voice, 2 violins, basso continuo. Virgo Music Publishers (The Solo Baroque Trombone No. 6). Recording: Christian Lindberg, Trombone and Voice in the Habsburg Empire, BIS CD-548.

Caldara, Antonio. “Dovunque il Guardo Giro” from La Passione di Gesu Christo Signor Nostro (1730). Alto trombone, soprano voice, keyboard. Warwick Music.

Caldara, Antonio. “Quell’amor” from Santa Ferma (1717). Alto trombone, tenor trombone, soprano voice, keyboard. Warwick Music.

Eberlin, Ernst (1702-1762). “Fliess o heisser Tränenbach” from Der verurteilte Jesus. Alto trombone, soprano voice, 2 violins, viola, bass (also keyboard reduction). Virgo Music Publishers (in The Solo Baroque Trombone in Chamber Music, vol. 1).

Eberlin, Ernst (1702-1762). “Menschen Sagt, Was Ist Das Leben?” from Der Verlorene Sohn. Alto trombone, tenor voice, 2 violas, bass/cello. Virgo Music Publishers (in The Solo Baroque Trombone in Chamber Music, vol. II). Recording: Christian Lindberg, Trombone and Voice in the Habsburg Empire, BIS CD-548.

Mozart, Leopold. “Agnus Dei” from Lauretanische Litanei. Alto trombone, alto voice, orchestra (2 oboes, 2 horns, strings, bass continuo). Virgo Music Publishers (The Solo Baroque Trombone, No. 8). Recording: Christian Lindberg, Trombone and Voice in the Habsburg Empire, BIS CD-548.

Mozart, W.A. “Jener Donnerworte Kraft” from Die Schuldigkeit des Ersten Gebotes (1767). Alto trombone, tenor voice, strings. Virgo Music Publishers (2 different versions, one with keyboard reduction, the other with string parts) and Modern Editions (keyboard reduction—no string parts).

Müller, Carlo (d. 1805). Plauctus animae Suspirautis ad Deum (1780). Alto trombone, tenor voice, violin, continuo. Alto trombone, tenor voice, alto trombone, basso continuo. Modern Editions.

Reutter, Johann Georg (c. 1708-1772). Missa S. Caroli. Alto trombone, alto voice, basso continuo. Virgo Music Publishers (in The Solo Baroque Trombone in Chamber Music, vol. II).

Schütz, Heinrich (1585-1672). Intermedium five from Historia der Geburt Jesu Christi. Alto trombone, tenor trombone, 4 bass voices, basso continuo. Virgo Music Publishers (in The Solo Baroque Trombone in Chamber Music, vol. 1).

Tuma, Franz Ignaz (1704-1774). “Almo Factori” from Motetto de Tempori. Alto trombone, alto voice, organ, cello/bass. Modern Editions.

Tuma, Franz Ignaz (1704-1774). Inno Per il Festo di St. Teresia (1741). Alto trombone, alto voice, violin 1, violin 2, basso continuo. Modern Editions.

Wagenseil, Georg Christoph (1715-1777). “Memoriam” from Confitibor. Alto trombone, alto voice, continuo. Virgo Music Publishers (The Solo Baroque Trombone, No. 5). Recording: Christian Lindberg, Trombone and Voice in the Habsburg Empire, BIS CD-548.

Zechner, Johann. “Aria Solemnus” from Salus. Alto trombone, alto voice, keyboard. Virgo Music Publishers (The Solo Baroque Trombone, No. 3). Recording: Christian Lindberg, Trombone and Voice in the Habsburg Empire, BIS CD-548.

Ziani, Marc’ Antonio (c. 1653-1715). “Larghetto e espressivo” from Alma Redemptoris Mater. Alto trombone, alto voice, basso continuo. Virgo Music Publishers (in The Solo Baroque Trombone in Chamber Music, vol. 1) and Modern Editions.

Ziani, Marc” Antonio (c. 1653-1715). “Largo” from Alma Redemptoris Mater. Alto trombone, tenor trombone, alto voice, bassoon, basso continuo. Virgo Music Publishers (in The Solo Baroque Trombone in Chamber Music, vol. II).