Giorgio Vasari and the Renaissance Trombone

I just added the top image and caption (c. 1545) to the 16th century timeline. Giorgio Vasari is a well-known Italian painter, architect, and historian. His book, Lives of the Most Excellent Painters, Sculptors, and Architects, is one of the most frequently-cited art history texts of all time. Vasari springs up multiple times in relation to trombone history. Besides including a couple of somewhat awkward-looking trombones in his art works (see c. 1545 and 1566, below), Vasari also specifically mentions trombone and cornetto in connection with a ceremony for the installation of the garrison of a fortress in Florence (see 1535, below).

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c. 1545—Italy: Giorgio Vasari paints a fresco of a quintet of wind musicians, 4 cornetts and a trombone, playing from a window or balcony. The player’s grip of the trombone is somewhat unorthodox and the player is also holding the instrument left-handed. The bell is partially obscured by the player’s head (see below image; public domain) (source: wikimedia commons; Stewart Gardner Museum).

1535—Florence, Italy: According to Giorgio Vasari, Florentine artist and historian, at the ceremony for the installation of the garrison of a fortress in Florence, “The very earth seemed pleased with the Gloria that I heard intoned by the Most Reverend Bishop, who was answered by a multitude of trombones, cornetti, and voices, so that one inclined one’s head owing to the sweetness as when one grows sleepy around the fire. At the conclusion of the oration, the Veni, Sancte Spiritus was begun by harmonies of trombones…” (Cummings 148-49).

1566—Giorgio Vasari’s image of a muse holding an instrument features what Edmund Bowles labels an alto trombone. If it is indeed a trombone, it is a somewhat awkwardly-rendered depiction. The image is associated with a performance of The Genealogy of the Gods for the wedding festivities of Prince Francesco de’ Medici and Johanna of Austria (see below image from festival book; public domain) (Bowles, Musical Ensembles 55).

Wedding Bells: Trombone in Wedding Celebrations

I just added another image to the 19th century timeline (2nd half), another depiction of a wedding celebration that includes trombone (c. 1885, shown below). Wedding celebrations constitute a fairly common theme in trombone history, with a total of 14 related images spread throughout the Trombone History Timeline. They’re shown together below. The bulk of them are from 16th-century festival books, but there is still a fair amount of variety in evidence, amounting to an intriguing set of images spanning nearly the complete history of the trombone.

c. 1520—Spain: The Engagement of St. Ursula and Prince Etherius, sometimes also titled St. Ursula and Prince Etherius Making a Solemn Vow, a panel painting from the Master of Saint Auta Altarpiece, depicts a trombonist with a wind band performing from a loft or window. The painting may represent the earliest visual depiction of a black trombonist (see below detail and full image; public domain) (Lisbon, Museu Nacional de Arte Antiga, Inv. No. 597) (Bowles, Musikleben 30-31).

1538—Germany: Heinrich Aldegrever portrays a trio of trombone and 2 trumpets in a woodcut titled The Brass Players (Die Posaunisten) from the series The Great Wedding Dances (see below image; public domain) (Duffin, Trompette des Menestrels).

1549—Munich, Germany: Outdoor Feast, a painting by Hans Mielich (Müelich), court painter for Duke Albrecht V, depicts an outdoor wedding banquet. The music ensemble includes 2 trombone players, one of whom appears to have multiple instruments in his hands and is apparently in the act of switching from one trombone to another. The painting also shows, in a different area, a dance band consisting of 2 trombones and another instrument (probably a shawm) (see below image; public domain) (Kenton plate 14; Buchner plate 95).

1566—Giorgio Vasari’s image of a muse holding an instrument features what Edmund Bowles labels an alto trombone. If it is indeed a trombone, it is a somewhat awkwardly-rendered depiction. The image is associated with a performance of The Genealogy of the Gods for the wedding festivities of Prince Francesco de’ Medici and Johanna of Austria (see below image from festival book; public domain) (Bowles, Musical Ensembles 55).

1580—Innsbruck, Austria: A procession to a tournament that is part of marriage celebrations of Johann Lipsteinsky von Kolowrat and Katharina von Boymont und Pairsberg includes a trio of dulzian and 2 trombones (see below image from festival book; public domain) (Bowles, Musical Ensembles 85, 89).

1582—Dresden, Germany: In a procession celebrating the marriage of Christian I of Saxony, a symbolic entourage of Bacchus includes a quartet of 2 trombones, cornett, and tenor shawm (see below image from festival book; public domain) (Bowles 103-4).

1584—Dresden, Germany: A procession during wedding festivities for Balthasar Wurm and Anton von Sahlhausen at the court of Saxony, includes 8 musicians dressed as women, playing trombone, lute, cittern, treble viol, bass recorder, tenor viol, transverse flute, and clavichord; a graphic representation of the procession shows the trombone at the head of the group (see below image from festival book; public domain). Another ensemble in the procession consists of bass recorder, cornetts, bombard, and trombones (Bowles, Musical Ensembles 105, 107).

c. 1600—Fackeltanz bei Fürstenhochzeit, an anonymous image, possibly from Germany, depicts a torch dance at a prince’s wedding. Instrumentalists supplying the dance music from a balcony include a tombonist (see below image; public domain) (Salmen, Tanz im 17 153).

1609—Stuttgart, Germany: At the wedding celebrations of Archduke Johann Friedrich of Württemberg-Teck and Markgräfin Barbara Sophia of Brandenburg, a trio of trombone, cornetto, and bombard is featured in the Entourage of Young Court Noblemen (see below image from festival book; public domain) (Bowles, Musical Ensembles 177). In a separate performance, “As soon as the noble party had arrived at the [court] chapel, there could be heard the trombones, trumpets and kettledrums [along] with two choruses placed opposite each other” (Bowles, Timpani 370). Also in connection with the celebrations, according to records of the time, “There was a completely glorious musical performance, with 20 voices and five ensembles with all kinds of instruments, such as lutes, fiddles, bassoons, dulzians, cornetts, trombones and others” (Bowles, Musical Ensembles 167).

1650—Turin, Italy: Marriage festivities for Princess Adelaide of Savoy and Prince Ferdinand Maria of Bavaria include trombones. First, on the way to the Cathedral of San Giovanni for the service itself, “Swiss Guards and arquebusiers of Their Majesties…lent their presence to the retinue setting out for the cathedral from the great hall of the palace [along] with trumpets, trombones, oboes and drums.” After the wedding service there are “signals by trumpets and trombones to those present who, because of the huge crowd, couldn’t observe the nuptials.” Later, during a series of races in the palace courtyard, races alternate with musical performances by musicians in a gallery (see below image from festival book; public domain): “From the other palace, above the gallery, among the various events alternating with the races was the reverberation of the sound of an ensemble of instruments; that is, trumpets which, animated by the virtue of such glorious love [of the newlyweds] became the voices of Fame; trombones, which, with harmonious notes echoed the praises of everyone, rousing more ardently by the hour the affections…” (Bowles 275-279).

c. 1855Artist Albert Kindler includes a trombonist in his painting After the Wedding. The trombonist stands in the musicians’ boat in the background (see below detail and full image below; public domain).

c. 1860—Peru: Artist Pancho Fierro depicts a trombonist performing with a wind band for a Peruvian wedding celebration in Fiesta de Matrimonio (see below detail and full image below; public domain) (Lavalle 38).

c. 1885—Norway: A wood engraving titled A Gay Procession, signed by Günther, depicts what is probably a wedding procession in the Norwegian countryside. A trombonist leads the way, accompanied by trumpet and horn (see below image; public domain) (source: New York Public Library Digital Gallery).

c. 1890—Italy: Antonio Lonza’s painting, Newly Married Couple, includes a trombonist as part of an ensemble performing outdoors for a wedding celebration. The trombone appears to have a double slide (see below image, after Lonza painting; public domain) (Seidl, vol. 2, 325).

Trombone History: Two Curious Images

Durer Poland

Hans Dürer, Dances in the Open Air

Recently I came across an interesting image from the early 16th century that features an instrument bearing something of a resemblance to a trombone. Titled Dances in the Open Air, the painting, by Hans Dürer (brother of the more famous Albrecht Dürer) is a detail of a frieze located in the Hall of the Envoys of the Royal Castle at Wawel (Cracow, Poland). It dates from 1532 (see above image; public domain) (Suchodolski pl. 428).

Vasari

Giorgio Vasari, Muse for Genealogy of the Gods

That image brought to mind another from the 16th century, this one featuring what Edmund Bowles labels an alto trombone. If it is indeed a trombone, it is a somewhat awkwardly-rendered depiction. The image, dated from 1566, is by Giorgio Vasari. It is associated with a performance of The Genealogy of the Gods for the wedding festivities of Prince Francesco de’ Medici and Johanna of Austria (see facing image; public domain) (Bowles, Musical Ensembles 55).

Both of the images could be proto-trombones: instruments marking the evolution of trumpet into what we know as trombone. They could also simply be awkwardly-rendered trombones by artists not overly concerned with being literal. Or they could be separate instruments entirely. The images do call to mind some descriptions that scholars suspect may refer to very early trombones:

1407—Siena, Italy: German musician Angelo d’Arrigo joins the Palace trumpeters as a player of tuba grossa. There is speculation that this term, tuba grossa (Latin: large trumpet), could be a clerk’s best effort at describing a trombone, which would have been a very new instrument at the time (D’Accone, Civic Muse 443, 517).

1445—Florence, Italy: An account describes the trombone as “trombon grosso…che e tromba torta” (a “large trombone…that is a twisted trumpet” (Polk, Foreign 326; Polk, Archival Documents).

1518—The betrothal of Princess Mary, daughter of Henry VIII, to François, eldest son of François I, King of France, takes place in Greenwich, with a repeat performance in Paris. Festivities include a dance performed by a wind band that probably consists of 3 shawms and 2 trombones (“two brass which were bent back”) (Shaw).