1982
Samuel Adler, in The Study of Orchestration, says, “The contrabass trombone is much too taxing on the performer, and one is advised not to write for it anymore” (Adler 291).
Samuel Adler, in The Study of Orchestration, says, “The contrabass trombone is much too taxing on the performer, and one is advised not to write for it anymore” (Adler 291).