1844
Hector Berlioz, in his orchestration treatise, speaking of the tenor trombone’s upper register, calls the notes c and d-flat “difficult.” In the 1855 edition he revises this, calling only the d-flat difficult (Macdonald 211).
Hector Berlioz, in his orchestration treatise, speaking of the tenor trombone’s upper register, calls the notes c and d-flat “difficult.” In the 1855 edition he revises this, calling only the d-flat difficult (Macdonald 211).