1816
The concept of the double slide is revived (see 1540) by Gottfried Weber and adopted by C. A. Moritz of Berlin, who constructs a B-flat contrabass to Wagner’s instructions for the first performances of The Ring (Gregory 94).
The concept of the double slide is revived (see 1540) by Gottfried Weber and adopted by C. A. Moritz of Berlin, who constructs a B-flat contrabass to Wagner’s instructions for the first performances of The Ring (Gregory 94).