1632—Bologna, Italy
In the convent Santa Cristina, nuns accompany themselves, according to contemporary Mauro Ruggeri, “with various instruments, violins, trombones, harps, and such like” (Monson, Disembodied 52).
In the convent Santa Cristina, nuns accompany themselves, according to contemporary Mauro Ruggeri, “with various instruments, violins, trombones, harps, and such like” (Monson, Disembodied 52).