1622—Hamburg, Germany
Samuel Scheidt calls for trombone in his vocal work, Pars prima concertuum sacrorum. For example, both Concertus III and Concertus XII utilize multiple trombones (Collver 163).
Samuel Scheidt calls for trombone in his vocal work, Pars prima concertuum sacrorum. For example, both Concertus III and Concertus XII utilize multiple trombones (Collver 163).