c. 1829—Sweden

Two wind players from the Swedish Royal Court Orchestra, Carl Anton Philipp Braun and Bernard Henrik Crusell, collaborate on Adagio and Polonaise for solo Kenthorn and 2 keyed bugles, 4 horns, 2 trumpets, and alto, tenor and bass trombone. Swedish cavalry and artillery regiments throughout the country likely adapt this instrumentation. The same instrumentation is also used in Braun’s arrangement of the Adagio movement of Beethoven’s Septet, Op. 20 (Dudgeon, Keyed Bugle 166).