The Adoration of the Magi: Another Angel Trombonist

What do trombone history and the Christian adoration of the magi have in common? Well, I came across this painting recently, which has been added to the 17th century trombone history timeline (first half), offering yet another example of an angel trombonist from the early 17th century. Another common theme the painting belongs to, besides the angel idea, is the historical depiction of trombone in altarpieces; for more on this subject, see here.

1606—Innsbruck, Austria: Paolo Piazza’s Adorazione dei Magi, an altarpiece painting in Innsbruck’s Kapuzinerkirche, depicts many angel musicians, including an angel trombonist (see upper-left of image below; public domain) (Panchieri 43).

In the Details: Trombones on Casparini’s Famous Organ

Posted a much better detail of this trombone sculpture in the 17th century timeline (2nd half). You can even see an extension handle on the trombone. At the bottom is a large detail not included in the timeline. For many more images of trombones on organ cases, see the Perching on the Pipes blog entry.

1697-1703—Görlitz, Germany: Eugenio Casparini’s famous organ in the church of St. Peter und Paul features decorative sculptures of angels sitting atop the pipe structure. Each angel holds 2 instruments; 2 of the angels, sitting on opposite outside edges of the structure, hold trombones while playing trumpets (see above image and facing detail) (Sonnaillon 92). For additional views, see here.

Wedding Bells: Trombone in Wedding Celebrations

I just added another image to the 19th century timeline (2nd half), another depiction of a wedding celebration that includes trombone (c. 1885, shown below). Wedding celebrations constitute a fairly common theme in trombone history, with a total of 14 related images spread throughout the Trombone History Timeline. They’re shown together below. The bulk of them are from 16th-century festival books, but there is still a fair amount of variety in evidence, amounting to an intriguing set of images spanning nearly the complete history of the trombone.

c. 1520—Spain: The Engagement of St. Ursula and Prince Etherius, sometimes also titled St. Ursula and Prince Etherius Making a Solemn Vow, a panel painting from the Master of Saint Auta Altarpiece, depicts a trombonist with a wind band performing from a loft or window. The painting may represent the earliest visual depiction of a black trombonist (see below detail and full image; public domain) (Lisbon, Museu Nacional de Arte Antiga, Inv. No. 597) (Bowles, Musikleben 30-31).

1538—Germany: Heinrich Aldegrever portrays a trio of trombone and 2 trumpets in a woodcut titled The Brass Players (Die Posaunisten) from the series The Great Wedding Dances (see below image; public domain) (Duffin, Trompette des Menestrels).

1549—Munich, Germany: Outdoor Feast, a painting by Hans Mielich (Müelich), court painter for Duke Albrecht V, depicts an outdoor wedding banquet. The music ensemble includes 2 trombone players, one of whom appears to have multiple instruments in his hands and is apparently in the act of switching from one trombone to another. The painting also shows, in a different area, a dance band consisting of 2 trombones and another instrument (probably a shawm) (see below image; public domain) (Kenton plate 14; Buchner plate 95).

1566—Giorgio Vasari’s image of a muse holding an instrument features what Edmund Bowles labels an alto trombone. If it is indeed a trombone, it is a somewhat awkwardly-rendered depiction. The image is associated with a performance of The Genealogy of the Gods for the wedding festivities of Prince Francesco de’ Medici and Johanna of Austria (see below image from festival book; public domain) (Bowles, Musical Ensembles 55).

1580—Innsbruck, Austria: A procession to a tournament that is part of marriage celebrations of Johann Lipsteinsky von Kolowrat and Katharina von Boymont und Pairsberg includes a trio of dulzian and 2 trombones (see below image from festival book; public domain) (Bowles, Musical Ensembles 85, 89).

1582—Dresden, Germany: In a procession celebrating the marriage of Christian I of Saxony, a symbolic entourage of Bacchus includes a quartet of 2 trombones, cornett, and tenor shawm (see below image from festival book; public domain) (Bowles 103-4).

1584—Dresden, Germany: A procession during wedding festivities for Balthasar Wurm and Anton von Sahlhausen at the court of Saxony, includes 8 musicians dressed as women, playing trombone, lute, cittern, treble viol, bass recorder, tenor viol, transverse flute, and clavichord; a graphic representation of the procession shows the trombone at the head of the group (see below image from festival book; public domain). Another ensemble in the procession consists of bass recorder, cornetts, bombard, and trombones (Bowles, Musical Ensembles 105, 107).

c. 1600—Fackeltanz bei Fürstenhochzeit, an anonymous image, possibly from Germany, depicts a torch dance at a prince’s wedding. Instrumentalists supplying the dance music from a balcony include a tombonist (see below image; public domain) (Salmen, Tanz im 17 153).

1609—Stuttgart, Germany: At the wedding celebrations of Archduke Johann Friedrich of Württemberg-Teck and Markgräfin Barbara Sophia of Brandenburg, a trio of trombone, cornetto, and bombard is featured in the Entourage of Young Court Noblemen (see below image from festival book; public domain) (Bowles, Musical Ensembles 177). In a separate performance, “As soon as the noble party had arrived at the [court] chapel, there could be heard the trombones, trumpets and kettledrums [along] with two choruses placed opposite each other” (Bowles, Timpani 370). Also in connection with the celebrations, according to records of the time, “There was a completely glorious musical performance, with 20 voices and five ensembles with all kinds of instruments, such as lutes, fiddles, bassoons, dulzians, cornetts, trombones and others” (Bowles, Musical Ensembles 167).

1650—Turin, Italy: Marriage festivities for Princess Adelaide of Savoy and Prince Ferdinand Maria of Bavaria include trombones. First, on the way to the Cathedral of San Giovanni for the service itself, “Swiss Guards and arquebusiers of Their Majesties…lent their presence to the retinue setting out for the cathedral from the great hall of the palace [along] with trumpets, trombones, oboes and drums.” After the wedding service there are “signals by trumpets and trombones to those present who, because of the huge crowd, couldn’t observe the nuptials.” Later, during a series of races in the palace courtyard, races alternate with musical performances by musicians in a gallery (see below image from festival book; public domain): “From the other palace, above the gallery, among the various events alternating with the races was the reverberation of the sound of an ensemble of instruments; that is, trumpets which, animated by the virtue of such glorious love [of the newlyweds] became the voices of Fame; trombones, which, with harmonious notes echoed the praises of everyone, rousing more ardently by the hour the affections…” (Bowles 275-279).

c. 1855Artist Albert Kindler includes a trombonist in his painting After the Wedding. The trombonist stands in the musicians’ boat in the background (see below detail and full image below; public domain).

c. 1860—Peru: Artist Pancho Fierro depicts a trombonist performing with a wind band for a Peruvian wedding celebration in Fiesta de Matrimonio (see below detail and full image below; public domain) (Lavalle 38).

c. 1885—Norway: A wood engraving titled A Gay Procession, signed by Günther, depicts what is probably a wedding procession in the Norwegian countryside. A trombonist leads the way, accompanied by trumpet and horn (see below image; public domain) (source: New York Public Library Digital Gallery).

c. 1890—Italy: Antonio Lonza’s painting, Newly Married Couple, includes a trombonist as part of an ensemble performing outdoors for a wedding celebration. The trombone appears to have a double slide (see below image, after Lonza painting; public domain) (Seidl, vol. 2, 325).

Trombone History: Two 17th Century Images

Below are two new 17th century images, one a painting and the other a print. The painting, shown here only in a detail of one portion of the work, has been attributed to Sebastian Vranckx and Jan Brueghel the Younger (in collaboration) and is titled The Royal Palace at Brussels. It has been dated between 1625 and 1630. A trombone rests on the ground, along with a dulcian, near an ensemble of 2 voices and 3 strings that is informally performing outdoors. Noteworthy features of the trombone include its flat stays and a slide section apparently out of proportion with the bell (Kenyon de Pascual, Two Contributions).

Vranckx

Vranckx and Brueghel, The Royal Palace at Brussels

The second image, an anonymous mannerist print titled Genius of the Arts, dates from approximately the same time, circa 1620 (Moir pl. 44). Below the angel (whose toga is apparently on the move) is a fairly clear representation of a trombone. The trombone is noteworthy for its bell flare, which would appear to be slightly more pronounced than that of other trombones of the time period. The image belongs to an interesting group of allegorical art works from the 17th century (1st half) that feature trombones, including Brueghel’s Allegory of Hearing, Van Kessel’s Allegory of Music, and a Czech wall painting from Rozmberk Castle titled Allegory of Music.

Genius

Anonymous, Genius of the Arts

Webpage Updates

November 20, 2008

Trombone History Timeline: Posted an entry from another primary source. This one, an English dictionary titled A New and complete dictionary of arts and sciences, printed in London in 1763-64, is noteworthy because it describes the sackbut, even at this relatively late date, as “a sort of trumpet,” and because it mentions multiple sizes of trombones.

November 19, 2008

Alto Trombone Timeline: Added an alto trombone entry from an important 17th century primary source, Syntagma Musicum, vol. III (1619), a treatise by Michael Praetorius. Praetorius mentions the alto trombone several times throughout this particular volume, suggesting it for a number of different musical settings.

•Added an entry in both the Trombone History Timeline and the Alto Trombone Timeline on Kresser’s 12 Quatuors (1844), which are scored for either 4 cornets or 3 cornets and alto trombone. This piece is interesting because it is from France, where alto was not as common as it was in other regions, and because the date represents a time period in which the alto trombone is normally said to be in decline.

hendrickxNovember 17, 2008

Trombone History Timeline: Added entries from 2 new primary sources: Francis North’s A philosophical essay of musick (1677) and a record of the coronation of George III from The Royal Magazine or Gentleman’s Monthly Companion (1761). Also added 2 lithographs of Belgian infantry trombonists (1831 and c. 1850), who seemed to favor rear-facing horns (see also Belgian infantry image of 1824). Also of note regarding trombone playing in Belgium during this period are comments by British travelers George Smart (see 1825) and Vincent Novello (see 1829).

November 7, 2008

Trombone History Timeline: Finished posting works from the “Chronological Overview” of Klaus Winkler’s book, Selbständige instrumentalwerke mit Posaune in Oberitalien von 1590 bis 1650. The sheer number of instrumental pieces (Winkler lists more than 150) scored for trombone from this period and region (upper Italy from 1590 to 1680) is noteworthy. Why is it that one doesn’t hear more about early Baroque music for trombone? Most of us know Gabrieli’s music, for example, but what about all the sonatas of Castello and Buonamente or the canzoni of Banchieri and Picchi? There may be a body of original music we’re not really utilizing.

November 4, 2008

•Got a nice note about the historical parts of the site from Stewart Carter, Executive Editor of the Historic Brass Society Journal. (Added a link to Historic Brass Society under “Organizations” on front page.) He is working on a book on early trombone history, which I’m sure will be excellent. Stay tuned for details!

juarez-color-detail3October 28, 2008

Trombone History Timeline: Posted color images of The Martyrdom of St. Lawrence, an oil painting from 17th century Mexico City by artist José Juárez. The painting depicts several angel-musicians, including an angel playing trombone. The numerous paintings and other entries indicating trombone activity in the region are noteworthy in trombone history because, for whatever reason, most brass historians make little or no mention of the trombone in colonial Latin America.

October 27, 2008

Trombone History Timeline: Posted image from 18th century from the title page of Hirschberger’s Philomena Cisterciensis (Burghausen, 1743). Almost any trombone activity during this century is of interest, since historians point to this period as one of steep decline for the instrument.

October 24, 2008

Trombone History Timeline: Posted several 19th century entries on Anton Bruckner, an important composer in the history of the trombone. Examples include his Zwei Aequale for 3 trombones, as well as numerous works for choir and trombones. The source is Keith William Kinder’s The Wind and Wind-Chorus Music of Anton Bruckner.

October 23, 2008:

Trombone History Timeline and Alto Trombone Timeline: Added two entries about extant instruments from the 19th and early 20th centuries, with photographs used by the gracious permission of Brass Players Museum: www.neillins.com/brass.htm. The alto trombone, manufactured in England in the 1870s, is interesting in that it dates from the time of the supposed decline of the alto and is a valved instrument.

•Updated post about American Brass Quintet mini-residency at BYU. All events are open to the public! All events except the formal concert are free!

October 22, 2008:

Trombone History Timeline: Posted entries from the 19th century on the career of German trombone virtuoso Carl Queisser, who performed as soloist at Leipzig’s prestigious Gewandhaus a remarkable 26 times–more than many of the era’s most famous instrumental soloists, including Paganini, Liszt, Hummel, and Clara Schumann. In light of the fact that many historians claim that trombone was never a solo instrument until well into the 20th century, the career of this prominent trombone soloist is truly intriguing. A respected music periodical of the time summed up Queisser’s influence thus: “Truly we live in an age of trombones.” Also added to the timeline are entries about trombone soloist Friederich Belcke, who seems to have paved the way for Queisser, as well as a few other soloists who followed Queisser. The information comes from Michael Lewis’s excellent article, “Solo Trombone Performances at the Gewandhaus” (ITA Journal, Summer 1992).

bueno1October 20, 2008:

•Added Spanish altarpiece with a young trombone-playing angel, dating from c. 1620-24 to Trombone History Timeline.

October 16, 2008:

•Added several entries about Moravian trombone playing in the 18th century to the Trombone History Timeline.

•Added 2 paintings by Italian artist Lionello Spada that include clear depictions of the trombone in the early 17th century.

October 13, 2008:

•Added newly-released Utah Trombone Authority CD to the Store. Check it out!