Trombone Underfoot: A Possible 17th-Century Alto Trombone Image

Added the below images and caption to the Alto Trombone Timeline. It’s quite a beautiful painting. The other instruments “underfoot” are a shawm and a recorder. The trombone appears to be an alto, given its size relative to the things around it (the instruments, most importantly, but also the music and the man’s leg), although how literal the visual depiction was intended to be is always the question.

Mola detailMola

c. 1650—Italy: Swiss-born artist Pier Francesco Mola includes a trombone in his painting, Young Musician Playing a Viola da Gamba. Although it is impossible determine with certainty, the instrument may be an alto trombone, given its size relative to the surrounding instruments and music pages (see facing detail and full image, below; public domain) (Mola 161).

Trombone History: More Trombone Angels

Added the below drawing and caption to the Trombone History 16th Century Timeline. I was only able to add the detail of the trombone, not the full image, because of some technical problems (I don’t think WordPress likes how big these pages are getting; I may have to start splitting up centuries), but I’ve included the full image in this post.

All these images of trombonists as angel-musicians (see also posts here and here, as well as the Trombone Timeline in general) seem to reflect the trombone’s role as a sacred instrument, an association that has faded over time, making these images somewhat surprising to modern eyes.

Brizio detailBrizioLate 16th century—Italy: Bolognese painter and engraver Francesco Brizio includes trombone among numerous angel-musicians in his study, Lunette with Musical Angels in the Clouds (see facing detail; public domain) (Bohn 532).

Update to Alto in Treatises Page: Summary of Alto Trombone Keys

Made the following update to the Alto in Treatises page, giving a summary of specific keys that writers have historically assigned to the alto trombone. For more on alto trombone keys, see also the Extant Altos page, which lists alto trombones manufactured before 1800, along with their respective keys.

OVERALL KEY TOTALS:

40        D/E-flat

4          F

2          B-flat

1          E

GERMANY: 14 D/E-flat, 1 B-flat

Praetorius (1619)—D

Speer (1697)—D

Niedt (1721)—D

Majer (1729)—D

Christoph and Stössel (1736)—D

Eisel (1738)—D

Koch (1802)—D

Fröhlich (c. 1811)—B-flat/E-flat (contradictory)

Riemann (1882)—E-flat

Saro (1883)—E-flat

Jadassohn (1889)—E-flat

Schroeder (1889)—E-flat

Hofmann (1893)—E-flat

Mayerhoff (1913)—E-flat

UNITED KINGDOM: 10 E-flat, 3 F, 1 E

Bertini (1830)—E-flat

Mandel (1859)—E-flat, E, F

Prout (1877)—E-flat

Stone/Grove (1879-90)—E-flat, F

Hunter (1879-88)—E-flat

Encyclopaedia Britannica (1888)—E-flat, F

Corder (1896)—E-flat

Vincent (1897)—E-flat

Fitzgerald (1902)—E-flat

Forsyth (1913)—E-flat

FRANCE: 5 E-flat

Braun (c. 1795)—E-flat

Kastner (1839)—E-flat

Berlioz (1844)—E-flat

Gevaert (1863)—E-flat

Lavignac (1895)—E-flat

AUSTRIA: 1 E-flat, 1 B-flat

Seyfried/Albrechtsberger (1826)—E-flat

Nemetz (1827)—B-flat

BELGIUM: 3 E-flat

Mahillon (1897)—E-flat

Ergo (1908)—E-flat

Gilson (1921)—E-flat

ITALY: 1 E-flat

Galli (1898)—E-flat

US/CANADA: 6 E-flat, 1 F

Coon (1883)—E-flat

Claus (1884)—E-flat

Olker (1889)—E-flat

Henderson (1899)—E-flat

L. Elson (1900)—E-flat

A. Elson (1922)—F

White (1924)—E-flat

Trombone History: More Trombone Iconography

Added the below image and info to the 16th Century Trombone History Timeline. The artist, Cornelis Court, was well known for making engravings that were copies of pre-existing artworks. In this case, the engraving is after a work by Flemish Renaissance artist Frans Floris. The image, which is obviously symbolic, features a relatively small-looking trombone hanging on the upper right area of the wall. It is nearly impossible to tell, and artists are often less than literal, but the instrument could be an alto trombone. (Compare it proportionally, for example, with the other instruments nearby.)

Cort1565—Musica, an engraving by Dutch artist Cornelis Cort from a series called the Seven Liberal Arts (after works by Frans Floris) includes a small trombone hanging on a wall in the background (see facing image; public domain) (Burgers 99).

Trombone History: More Trombone Angels

Added the following entry to the 18th Century Trombone History Timeline about an anonymous depiction of an angel-trombonist among other angel-musicians. With the painting mentioned in the last post, it would appear to be rare historically, being one of only a few paintings outside of the 16th and 17th centuries I’ve been able to locate that depict trombonists as angel-musicians. The trombone player, by the way, is on the far-right of the painting.

D'Ongina detailD'Ongina1709—Monticelli d’Ongina, Italy: The church Collegiata di San Lorenzo is refurbished in Baroque style. It is probably at this time that an anonymous artist paints a fresco in the church depicting several angel-musicians, including a trombonist. This painting, along with the painted wood ceiling in Tönning, Germany (see 1704, above), is a relatively late example of trombone being depicted among angel-musicians (see facing detail and full image, below; public domain) (Genesi).

Trombone History: Trombone Among the Angels

A few months ago I added the following painting and entry to the Trombone History Timeline (18th century):

St. Lawrence1704—Tönning, Germany: A painted ceiling by Barthold Conrath at the Church of St. Lawrence depicts a group of angels playing wind instruments and percussion, including a jubilant angel-trombonist on the far left (see above image; public domain) (Bowles, The Timpani 167).

Toenning_laurentius_orgelSince then I have also come across this wikimedia image (public domain) showing a wider view of the interior of the church. The group of musicians pictured originally in the black and white detail is directly above the organ (but not suspended in the clouds). Click on the picture for a larger image.

What’s a little surprising about the painting, in my opinion, is its relatively late date (1704). The majority of similar visual depictions of trombonists among angel musicians–at least those I have been able to locate–originate from the previous two centuries. See 16th Century and 17th Century.

Trombone History: 16th Century Paintings of Trombonists

Added several new images to the 16th Century of the Trombone History Timeline. They include, respectively, a detail and 2 paintings by Caravaggio (the less-famous Caravaggio, sometimes known as Polidoro Caldara) (c. 1520, Rome, Italy), as well as a detail and full color version of a painting by Schelhas (c. 1600, Augsburg, Germany). The Caravaggio paintings, dealing with the muses, reflect the symbolism attached to trombone during this period of trombone history. The Schelhas painting, depicting an aristocratic dance, appears to be much more literal, highlighting the trombone’s role as a dance instrument at this time.

Caravaggio-musesCaravaggio 847Caravaggio 846Schelhas detailSchelhas full

Trombone History: Early Trombone Method Books, Other Updates

I continue to add to the Alto in Treatises page. As indicated by the subtitle of the page (treatises, dictionaries, and methods), my criteria are quite broad for this post. I recently added a trio of early trombone method books: Braun (c. 1795), Fröhlich (c. 1811), and Nemetz (1827). I also added info from Praetorius’s Syntagma Musicum II (1619), as well as images from Praetorius (1619), Eisel (1738), and Albrechtsberger (1790). With the numerous other written sources, these help shed light on the role of the alto in trombone history. The document, which spans from 1600 to 1925, now includes well over 50 sources, the majority of them primary sources. Many of these will eventually be added to the general Trombone Timeline.

Trombone History: Update from Museum of Musical Instruments–Poznan, Poland

mim_1An update from Patryk Frankowski, senior assistant at the Museum of Musical Instruments in Poznan, Poland: Mr. Frankowski has shared information about 2 additional alto trombones, both pre-1800, not listed in Trevor Herbert’s book, The Trombone, or subsequently on my list, Extant Altos. Both held at Mr. Frankowski’s museum, they are a 1722-71 Ehe alto trombone in E-flat and a 1793 Flemming alto trombone in E. I also received a related personal email from Trevor Herbert verifying that such omissions are not uncommon, as compilers often have to rely on communication from museum curators, etc.

These instruments are now included on the Extant Altos page, with a brief note of explanation. This is noteworthy information, bringing the overall tally of extant pre-1800 trombones to 64 tenors, 31 altos, and 22 basses.

Mr. Frankowski has also recently offered important information about another instrument on the list (see related entry). Thank you, Mr. Patryk Frakowski, for the excellent information!

Trombone History: Painting of Female Trombonist

Although it has perhaps not been widely known, there are records of female trombonists throughout trombone history, dating back to the 16th century. The Trombone History Timeline shows, for example, entries from 1594, 1600, 1613, 1618, 1630, and 1632 that detail activities of trombone-playing nuns in the Italian cities of Ferrara, Venice, and Bologna. The following painting by Italian Pietro Paolini (or his school), dating from c. 1625, offers a rather clear representation of a female trombonist among a group of musicians (source: Patrizia Giusti, Pietro Paolini: pittore lucchese, 1603-1681. Maria Pacini Fazzi editore in Lucca, 1987, p. 158).

Paolini

Pietro Paolini, Gruppo di giovani suonatori con vaso di fiori