More Rear-Facing Trombones, and a Generalization

Today I added the below caption and image to the Trombone History Timeline (19th century, first half). The images expands quite a bit if you click on it. The slide grip of both trombonists, you will notice, is awkward (to put it mildly).

I also added the picture to the article, Backward Advances: Rear-Facing Trombones Throughout History, which now has more than 50 visual examples, and decided to append this generalization:  ”I would probably characterize it [the over-the-shoulder trombone] something like this: Iconography suggests that the over-the-shoulder trombone, which can occasionally be seen in images before the 19th century, became widespread in the 19th century. Use of the instrument appears to taper off by the end of the century. Although there is significant variety in iconography, many of the images originate from France, and a large number of them are military.” If you’re like me, you see a generalization and you immediately want to look for exceptions. Well, have at it, itchy fingers (comment box below)!

1820—A hand-colored engraving, entitled Banda Militare, includes depictions of 2 rear-facing trombones (see below image; click on image to expand; public domain) (Oberlin Conservatory Special Collections).banda militare

Another Rear-Facing (Over-the-Shoulder) Trombone

I just added the below caption and picture of a rear-facing (or “over-the-shoulder”) trombone to the Trombone History Timeline (19th century, first half). I have also added it to the HubPages article, Backward Advances: Rear-Facing Trombones throughout History, which features more than 50 such images. As you may notice if you follow either of the above links, this permutation of the trombone is relatively common in iconography of the 19th century.

1801-50—Munich, Germany: A print depicting various musical instruments includes a rear-facing trombone (see below detail; public domain) (German National Museum, graphic collection).Hermann Barth detail

More Rear-Facing Trombones

Added the below image and caption to the Trombone History Timeline (19th century, first half). I’ll also be adding it to the article Backward Advances: Rear-Facing Trombones Throughout History.

1810-40—Strasbourg, France: An image by artist Boersch Thiébaut (1782-1861) that is part of set of figurines executed between 1810 and 1850 features musicians of the 14th Regiment, including 2 rear-facing trombones (see below image; public domain) (Paris, musée de l’Armée).

Rear-facing Buccin

I just added the following image and caption to 19th century timeline (1st half) and to the HubPages article, Backward Advances: Rear-Facing Trombones Throughout History.

 

1820-39—Rotterdam, Netherlands: A catchpenny print by T.C. Hoffers and A. van Alphen depicting various military instruments includes 2 rear-facing trombones, one with a dragon bell (see below detail; public domain) (Catchpenny Prints of the Dutch Royal Library).

Catchpenny Trombone

I mentioned a catchpenny print in an earlier post, although I didn’t explain the term. Historically, a catchpenny print is an inexpensively-produced image intended for the masses. A number of them contained military characters, including military musicians. Here is another catchpenny print that features trombone, just added to the Trombone History Timeline (19th century—2nd half). For more rear-facing trombones, see this article.

 

1866-1897—The Netherlands: Printer Franciscus Anthonius Beersmans publishes a woodcut, Ten strijde! (“To battle!”), that features several Dutch military musicians, including one with a rear-facing trombone (see image below—click for larger version; public domain) (Catchpenny Prints of the Netherlands Royal Library).

Dutch Trombonist on Horseback

Added the below image (just the detail) and its caption to the 19th century timeline (first half). I will also be adding it to the HubPages article, Backward Advances: Rear-Facing Trombones Throughout History, which already has some 36 visual examples. Finally, it wall also be added to one other odd little collection, Hi Ho, Brass! Trombones on Horseback.

 

1826—Broek, Netherlands: March of the Cavalry, a “catchpenny” military print that features numerous musicians, includes a rear-facing trombone on horseback (see detail and full image below; public domain).

Rear-Facing Italian Trombone

Here’s a rear-facing trombone from Italy that I just added to the 19th-century timeline (1st half) and will shortly be adding to the HubPages article, Backward Advances: Rear-Facing Trombones throughout History. If visual depictions are any indication at all, rear-facing trombones were surprisingly prominent in the 19th century.

1821—Italy: A depiction of musicians from the Italian grenadiers includes a trombonist with a rear-facing instrument (see facing image; public domain) (Melegari 147).

Awkwardly-Rendered Rear-Facing Trombone

I added the below entry and picture to the 19th century timeline (1st half) and to the HubPages article, Backward Advances: Rear-Facing Trombones throughout History. Although rear-facing trombones were common during the 19th century (see the many examples in the HubPages article), the one pictured below is a strange version (probably not very literal in its depiction). There’s not even a brace with which to hold the slide!

 

1807-08—Germany: Christoph and Cornelius Suhr, in their book on military uniforms in Hamburg (Abbildung der uniformen aller in Hamburg), published in the early 1820s, depict musicians from the Dutch military in Hamburg from the years 1807-08. Included is a musician with a somewhat awkwardly-rendered rear-facing trombone (see below image; public domain).

Paper Trombonists

The popular term paper tiger, indicating something that initially seems threatening but is in reality harmless, does not seem fitting for the trombone in general. If anything, the trombone is musically quite the reverse!

There is, however, an interesting collection of trombone history images, originating from sets of 19th-century military figurines, that depicts trombones as paper figurines. Although many such images are available, all of the examples shown below were produced by the Wurtz and Pées family in Strasbourg, France, between 1825 and 1850. These depictions appear to be quite literal, as their creators (and collectors) were known to obsess over such minutiae as the color of buttons on a given uniform or the type of insignia on the battalion’s hat. I have cropped several of the images to better show the trombonists, but each one comes from a very specific military regiment. A few things are noteworthy about the pictures in the context of trombone history: 1) every one of the trombones is rear-facing (for more on this, see Backward Advances: Rear-Facing Trombones Throughout History), 2) the fifth set of pictures includes what appears to be a rear-facing buccin, or trombone with dragon bell, 3) several of the pictures also include an instrument called the serpent, a wind instrument considered a predecessor to the tuba (for more on the serpent throughout history, see Serpent & Ophicleide: History and Images), and finally, 4) several of the figurines represent mounted regiments, with trombonists in the seemingly awkward position of trying to play while riding on horseback (for more such images, see Hi Ho, Brass! Trombones on Horseback). Overall, the pictures provide an interesting snapshot of the trombone in the 19th century military band (for more on the trombone in the military throughout history, see here and here). I will soon be adding several of the pictures to the 19th century timeline (first half), which should help place them in historical context.

Behind the Barracks at the Theatre Artistique

This afternoon I added the below image and caption to the Trombone History Timeline (19th century, 2nd half). Yet another image of an over-the-shoulder (or rear-facing) trombone. There is a steady stream of iconography showing these trombones from the late 1700s to the late 1800s. The majority of the images are from France and Belgium.

1869—Paris, France: A print by Alfred-Henri Darjou entitled The Entertainers Behind the Barracks appears in the French illustrated newspaper, L’Illustration. Four musicians–flute, rear-facing trombone, ophicleide, and drums–rehearse together at a makeshift table (see below image; public domain) (L’Illustration vol. LIV, July 24, 1869, p. 60).