More Rear-Facing Trombones, and a Generalization

Today I added the below caption and image to the Trombone History Timeline (19th century, first half). The images expands quite a bit if you click on it. The slide grip of both trombonists, you will notice, is awkward (to put it mildly).

I also added the picture to the article, Backward Advances: Rear-Facing Trombones Throughout History, which now has more than 50 visual examples, and decided to append this generalization:  ”I would probably characterize it [the over-the-shoulder trombone] something like this: Iconography suggests that the over-the-shoulder trombone, which can occasionally be seen in images before the 19th century, became widespread in the 19th century. Use of the instrument appears to taper off by the end of the century. Although there is significant variety in iconography, many of the images originate from France, and a large number of them are military.” If you’re like me, you see a generalization and you immediately want to look for exceptions. Well, have at it, itchy fingers (comment box below)!

1820—A hand-colored engraving, entitled Banda Militare, includes depictions of 2 rear-facing trombones (see below image; click on image to expand; public domain) (Oberlin Conservatory Special Collections).banda militare

Another Rear-Facing (Over-the-Shoulder) Trombone

I just added the below caption and picture of a rear-facing (or “over-the-shoulder”) trombone to the Trombone History Timeline (19th century, first half). I have also added it to the HubPages article, Backward Advances: Rear-Facing Trombones throughout History, which features more than 50 such images. As you may notice if you follow either of the above links, this permutation of the trombone is relatively common in iconography of the 19th century.

1801-50—Munich, Germany: A print depicting various musical instruments includes a rear-facing trombone (see below detail; public domain) (German National Museum, graphic collection).Hermann Barth detail

Two 19th Century Trombone Paintings by Benjamin Vautier

Below is a pair of images by Swiss artist Benjamin Vautier that I just added to the Trombone History Timeline (19th century, 2nd half). The first one in particular, which depicts a wedding in a region of France, is quite beautiful. Both paintings seem to portray the trombone in its 19th century role as a low-culture instrument.

c. 1878—Benjamin Vautier’s painting, Dancing Break at an Alsatian Wedding, features a small group of musicians, including a trombonist apparently emptying the water out of his horn (see below image; public domain). Click image to expand.vautier wedding

1881—Benjamin Vautier’s painting, Jahrmarkt, features a small group of musicians, including a trombonist, performing at a marketplace (see detail and full image below; public domain). Click full image to expand.vautier market dtlvautier market smaller

Trombone in Dutch House Concert

I recently added the below caption and image to the Trombone History Timeline (19th Century—first half). I have run into numerous similar images along the way, but it’s rare to find one that includes a trombonist.

 

c. 1840—Holland: A lithograph depicting a lively Dutch house concert, from a drawing by David Joseph Bles (1821-1899), incudes a trombonist (see below image; click image to expand) (public domain).

Details from Denmark: 3 Trombones on the Ceiling

Yesterday I added a pair of details to the caption below from the Trombone History Timeline (17th century, 1st half). I will also soon be adding them to the HubPages article, How to Hold a Sackbut: The Grip of the Early Trombone in Pictures. Here are the details, along with the full image and caption originally included.

 

c. 1635—Copenhagen, Denmark: A ceiling painting in the Rosenborg Castle depicts musicians of the court of Christian IV of Denmark (1577-1648), including 3 trombonsits (see 2 details and full image below; public domain) (Hindley plate 17).

Color Version of Woman Trombonist

I recently updated the below entry from the Trombone History Timeline (16th century). There are a few other places that have a small black & white detail of this trombone player, but this website is currently the only place I know of that you can find the color detail, full color engraving, and original tablecloth together.

For more historical images of woman trombone players, see Females in Trombone History, 1500-1900.

 

c. 1562-68—Germany: An embroidered tablecloth depicts an aristocratic woman playing trombone. The people in the middle of the tablecloth are Count Poppo of Henneberg and wife Sophie of Brunswick (see detail and full images below; click image to expand; public domain) (Herbert, Trombone 79). The top detail, below, is from a 19th-century color engraving that is a copy of the original tablecloth (Hefner-Alteneck, vol. 9, pl. 594). The second image is a photo of the original tablecloth, now lost (Newe deudsche gesitliche Gesenge, unpaginated front matter). The third is the full 19th-century copy that the top detail is drawn from.

19th Century Portrait with Trombone

I just added the below image to the Trombone History Timeline (19th Century—1st half). If you’re an actor and you’re having your portrait done, you’ll want it with a trombone, of course.

 

1837—Samuel Vale as Timotheus Trombone in “The Battle of Sedgemoor,” an engraving by G. Adcock, after a painting by R.W. Buss, portrays an actor with trombone. The actor, Samuel Vale, lived from 1797 to 1848 (see below image; public domain) (source: www.artstor.org).

Pair of Early Baroque Trombone Prints

I recently added these two new images to the Trombone History Timeline (17th Century—1st half). Both are from the early part of the Baroque period. They illustrate two important activities of trombonists of the time (playing for a royal funeral and performing for a royal procession). The second picture was in the timeline already, but this version is a clearer, higher-resolution detail that I recently found. Be sure to click on the first picture for a larger version; it expands quite a bit. Enjoy!

 

1608—Nancy, France: An engraving by Friedrich Brentel depicting the funeral of Charles III, Duke of Lorraine, includes 2 trombonists performing with other musicians in a loft of St. François Church (see detail and full image below; public domain) (“Obsequies of Charles III, Duke of Lorraine,” Bibliotheque Nationale, Paris; see also Lesure 60 and Whitwell, Baroque 25). Click to expand detail. You can also find the image online at the Metropolitan Museum of Art.

 1613—Heidelberg, Germany: The welcoming festivities for Elector Friedrich V of the Rhine Palatinate and his Bride, Princess Elizabeth of England, include a series of triumphal arches constructed along the streets by the faculties of the University of Heidelberg. At the first arch, staged by the Faculty of Philosophy, “pleasing music was [performed] by trombones and cornetts.” The festival record continues, “His Highness the Elector, as well as his spouse, were received with a cordial and very lovely musical [performance with] all kinds of string-playing and [other] instruments. Up high [on the stage] stood an angel who blew on two [sic] sackbuts….When His Highness the Elector, as well as the princes, were escorted in the procession by the four faculties of the world-famous University of Heidelberg, [they] passed through four triumphal arches [surrounded by] many well-wishers. Upon the first archway, which was hung with tapestries, sweet music by sackbuts and cornetts was presented” (Bowles, Musical Ensembles 188). A graphic representation of the welcoming ceremonies depicts a group of musicians, including 3 trombones, performing on a triumphal arch (see below detail; public domain) (Bowles, Musical Ensembles 190; Guion, A History 103).

Over the Edge: 17th Century Trombone Print

I have played from plenty of lofts and balconies of various sorts in my career, but I am always reluctant to extend my slide over the edge. There’s just that minuscule chance! Below is a picture I recently added to the Trombone History Timeline. The trombones play from an upper balcony on the right. I think I had actually seen the engraving before and missed the trombones because the picture wasn’t enlarged as much as this version. You can click on this image to enlarge it even more.

 

1676—Dresden, Germany: Artist David Conrad includes 3 trombones in his engraving of Dresden’s Schlosskapelle (see right side of detail below; click image to expand; public domain) (Die bemalten Orgelflügel 69).

Angels at San Stefano, Vicenza

I recently added this painting and caption to the Trombone History Timeline (17th century—1st half). The painting is quite striking, consisting of only four musicians and featuring a beautiful contrast in colors. The trombone in the picture has an extra loop of tubing on the rear bow, making it look remarkably similar to a modern f-attachment instrument.

c. 1620—Vicenza, Italy: A painting by Vincenzo Maganza in the church of San Stefano features 4 musical angels, including an angel-trombonist (see below image; public domain) (Die bemalten Orgelflügel 564).