Trombone History: More Trombone Iconography

Added the below image and info to the 16th Century Trombone History Timeline. The artist, Cornelis Court, was well known for making engravings that were copies of pre-existing artworks. In this case, the engraving is after a work by Flemish Renaissance artist Frans Floris. The image, which is obviously symbolic, features a relatively small-looking trombone hanging on the upper right area of the wall. It is nearly impossible to tell, and artists are often less than literal, but the instrument could be an alto trombone. (Compare it proportionally, for example, with the other instruments nearby.)

Cort1565—Musica, an engraving by Dutch artist Cornelis Cort from a series called the Seven Liberal Arts (after works by Frans Floris) includes a small trombone hanging on a wall in the background (see facing image; public domain) (Burgers 99).

Site Cited in Historic Brass Society Journal

I was browsing through the latest issue of the Historic Brass Society Journal yesterday and was happy to come across the below reference in “Correspondence” by Stanford professor Herbert W. Myers. The context of the citation was a discussion of trombone iconography (the way the instrument has been depicted visually in art work, etc.). Here’s the reference:

“I wish to acknowledge the website of the trombonist Will Kimball (www.kimballtrombone.com) as the source for the Garbieri, Spada, Collona, and Mitelli, and Kircher citations; these (and other) seventeenth-century illustrations of trombones can be viewed at http://www.kimballtrombone.com/trombone-timeline/17th-century/” (p. 232).

Thank you to Dr. Myers for his generous citation.

Trombone History: More Trombone Angels

Added the following entry to the 18th Century Trombone History Timeline about an anonymous depiction of an angel-trombonist among other angel-musicians. With the painting mentioned in the last post, it would appear to be rare historically, being one of only a few paintings outside of the 16th and 17th centuries I’ve been able to locate that depict trombonists as angel-musicians. The trombone player, by the way, is on the far-right of the painting.

D'Ongina detailD'Ongina1709—Monticelli d’Ongina, Italy: The church Collegiata di San Lorenzo is refurbished in Baroque style. It is probably at this time that an anonymous artist paints a fresco in the church depicting several angel-musicians, including a trombonist. This painting, along with the painted wood ceiling in Tönning, Germany (see 1704, above), is a relatively late example of trombone being depicted among angel-musicians (see facing detail and full image, below; public domain) (Genesi).

Trombone History: Trombone Among the Angels

A few months ago I added the following painting and entry to the Trombone History Timeline (18th century):

St. Lawrence1704—Tönning, Germany: A painted ceiling by Barthold Conrath at the Church of St. Lawrence depicts a group of angels playing wind instruments and percussion, including a jubilant angel-trombonist on the far left (see above image; public domain) (Bowles, The Timpani 167).

Toenning_laurentius_orgelSince then I have also come across this wikimedia image (public domain) showing a wider view of the interior of the church. The group of musicians pictured originally in the black and white detail is directly above the organ (but not suspended in the clouds). Click on the picture for a larger image.

What’s a little surprising about the painting, in my opinion, is its relatively late date (1704). The majority of similar visual depictions of trombonists among angel musicians–at least those I have been able to locate–originate from the previous two centuries. See 16th Century and 17th Century.

Trombone History: 16th Century Paintings of Trombonists

Added several new images to the 16th Century of the Trombone History Timeline. They include, respectively, a detail and 2 paintings by Caravaggio (the less-famous Caravaggio, sometimes known as Polidoro Caldara) (c. 1520, Rome, Italy), as well as a detail and full color version of a painting by Schelhas (c. 1600, Augsburg, Germany). The Caravaggio paintings, dealing with the muses, reflect the symbolism attached to trombone during this period of trombone history. The Schelhas painting, depicting an aristocratic dance, appears to be much more literal, highlighting the trombone’s role as a dance instrument at this time.

Caravaggio-musesCaravaggio 847Caravaggio 846Schelhas detailSchelhas full

Just for Fun: Images from 1894 Catalog

The following are some entertaining images from a 19th century Lyon & Healy catalog (Chicago, 1894). For other holdings from the catalog with more importance to trombone history, visit the Alto Trombone Timeline. For the full reference to the catalog, see the Alto Trombone Bibliography.

First, a suave trombonist modeling a uniform:

stylish trombonist

1894 L & H Catalog

Second, Lyon & Healy’s “Trombone Oil.” Wonder how well it worked. It says “perfection”!

slide oil

1894 L & H Catalog

Finally, a pretty nice array of “band caps.” The one with the spike is truly impressive. No. 14, with the feather plume, is a beauty too!

caps

1894 L & H Catalog

Trombone History: Marguerite Dufay, Parisian Music Hall Trombonist

In 1899, Louis Anquetin (1861-1932), a respected anti-Impressionist artist, published this lithograph of trombonist Marguerite Dufay. Part of the “Les Maitre de L’Affiches” series, it portrays a woman categorized among comique excentrique entertainers of the popular Parisian music cafes. Marguerite Dufay is said to have performed throughout Paris at its many music halls. It is not known whether she was also a skilled arm wrestler, although it would appear likely (sources: Charles Hiatt, Picture Posters: A Short History, p. 113; Ervine Metzl, The Poster: Its History and Its Art, p. 50).

Anquetin

Trombone History: Salvation Army

Added the following photo to the Trombone History Timeline (20th century):

Chicago Sal Army c1916c. 1916—Chicago, Illinois: A photograph of Chicago Salvation Army Band members shows tuba, trombone, horns, trumpets, and cornet (see facing image) (Chicago Daily News negatives collection, DN-0066937. Courtesy of the Chicago Historical Society). The related quote by George Bernard Shaw, from only a few years earlier, is “Many a sinner has played himself into heaven on the trombone, thanks to the Salvation Army” (1907).

Trombone History: Painting of Female Trombonist

Although it has perhaps not been widely known, there are records of female trombonists throughout trombone history, dating back to the 16th century. The Trombone History Timeline shows, for example, entries from 1594, 1600, 1613, 1618, 1630, and 1632 that detail activities of trombone-playing nuns in the Italian cities of Ferrara, Venice, and Bologna. The following painting by Italian Pietro Paolini (or his school), dating from c. 1625, offers a rather clear representation of a female trombonist among a group of musicians (source: Patrizia Giusti, Pietro Paolini: pittore lucchese, 1603-1681. Maria Pacini Fazzi editore in Lucca, 1987, p. 158).

Paolini

Pietro Paolini, Gruppo di giovani suonatori con vaso di fiori