Another Italian Angel-Trombonist

A few days ago I mentioned in this blog an angel-trombone painting by Procaccini. Well, that one led to another image by the same artist (as these things often do). Here it is, along with its caption, below. You can also see it in context in the 17th century timeline and in the HubPages article on angel-trombonists.

 

1624-25—Milan, Italy: A red-chalk study by Camillo Procaccini for one of the ceiling compartments in the church of SS Paolo e Barnaba includes an angel-trombonist (see below image; public domain) (British Museum; see also Neilson, Camillo Procaccini, Paintings and Drawings, pl. 289).Procaccini cropped

Front and Center: Another Trombone-Playing Angel

Today I added the below caption and image to the Trombone History Timeline (16th century). I will also be adding it to Angel Trombonists Throughout History: 56 Images. I think it’s a striking painting that really features the trombone. I wish I could find an image with a little higher resolution and a little better angle. The book I mention in the caption has a photo with a more direct angle, but the picture is black and white and smaller than this one.

 

c. 1600—Milan, Italy: Camillo Procaccini’s fresco in Milan’s church, Sant’Angelo (officially Santa Maria degli Angeli) features an angel playing trombone (see below image; public domain) (source: wikimedia commons). For additional documentation, see Neilson, Camillo Procaccini: Paintings and Drawings, pl. 77.angelo recropped

More Rear-Facing Trombones, and a Generalization

Today I added the below caption and image to the Trombone History Timeline (19th century, first half). The images expands quite a bit if you click on it. The slide grip of both trombonists, you will notice, is awkward (to put it mildly).

I also added the picture to the article, Backward Advances: Rear-Facing Trombones Throughout History, which now has more than 50 visual examples, and decided to append this generalization:  ”I would probably characterize it [the over-the-shoulder trombone] something like this: Iconography suggests that the over-the-shoulder trombone, which can occasionally be seen in images before the 19th century, became widespread in the 19th century. Use of the instrument appears to taper off by the end of the century. Although there is significant variety in iconography, many of the images originate from France, and a large number of them are military.” If you’re like me, you see a generalization and you immediately want to look for exceptions. Well, have at it, itchy fingers (comment box below)!

1820—A hand-colored engraving, entitled Banda Militare, includes depictions of 2 rear-facing trombones (see below image; click on image to expand; public domain) (Oberlin Conservatory Special Collections).banda militare

Another Rear-Facing (Over-the-Shoulder) Trombone

I just added the below caption and picture of a rear-facing (or “over-the-shoulder”) trombone to the Trombone History Timeline (19th century, first half). I have also added it to the HubPages article, Backward Advances: Rear-Facing Trombones throughout History, which features more than 50 such images. As you may notice if you follow either of the above links, this permutation of the trombone is relatively common in iconography of the 19th century.

1801-50—Munich, Germany: A print depicting various musical instruments includes a rear-facing trombone (see below detail; public domain) (German National Museum, graphic collection).Hermann Barth detail

St. Cecilia, Two Heads on a Platter, and Cherub with Trombone

St. Cecilia is the patron saint of music, so the organ and cherub (putto) with trombone reflect that symbolism. Why Cecilia has the heads of Valeriano and Tiburtio on a platter is beyond me, but it’s too bad they didn’t get to hear the trombone and organ music.

I just added this painting and caption to the Trombone History Timeline (17th century—first half). Below the color image is the black and white reproduction that can be found at the The Digital Library of the National Library of France website. You will notice that the images are reversed.

For more images of cherubs (putti) playing trombone, see Trombone History: Cherubs Playing the Trombone.

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c. 1620—Italy: Italian Baroque painter Bernardo Strozzi includes a putto holding a trombone in the painting, Santa Cecilia con le teste di Valeriano e Tiburtio (see below image; public domain) (source: The Digital Library of the National Library of France).strozzi color sharpstrozzi bw

Two 19th Century Trombone Paintings by Benjamin Vautier

Below is a pair of images by Swiss artist Benjamin Vautier that I just added to the Trombone History Timeline (19th century, 2nd half). The first one in particular, which depicts a wedding in a region of France, is quite beautiful. Both paintings seem to portray the trombone in its 19th century role as a low-culture instrument.

c. 1878—Benjamin Vautier’s painting, Dancing Break at an Alsatian Wedding, features a small group of musicians, including a trombonist apparently emptying the water out of his horn (see below image; public domain). Click image to expand.vautier wedding

1881—Benjamin Vautier’s painting, Jahrmarkt, features a small group of musicians, including a trombonist, performing at a marketplace (see detail and full image below; public domain). Click full image to expand.vautier market dtlvautier market smaller

Trombone in Dutch House Concert

I recently added the below caption and image to the Trombone History Timeline (19th Century—first half). I have run into numerous similar images along the way, but it’s rare to find one that includes a trombonist.

 

c. 1840—Holland: A lithograph depicting a lively Dutch house concert, from a drawing by David Joseph Bles (1821-1899), incudes a trombonist (see below image; click image to expand) (public domain).

Details from Denmark: 3 Trombones on the Ceiling

Yesterday I added a pair of details to the caption below from the Trombone History Timeline (17th century, 1st half). I will also soon be adding them to the HubPages article, How to Hold a Sackbut: The Grip of the Early Trombone in Pictures. Here are the details, along with the full image and caption originally included.

 

c. 1635—Copenhagen, Denmark: A ceiling painting in the Rosenborg Castle depicts musicians of the court of Christian IV of Denmark (1577-1648), including 3 trombonsits (see 2 details and full image below; public domain) (Hindley plate 17).

Color Version of Woman Trombonist

I recently updated the below entry from the Trombone History Timeline (16th century). There are a few other places that have a small black & white detail of this trombone player, but this website is currently the only place I know of that you can find the color detail, full color engraving, and original tablecloth together.

For more historical images of woman trombone players, see Females in Trombone History, 1500-1900.

 

c. 1562-68—Germany: An embroidered tablecloth depicts an aristocratic woman playing trombone. The people in the middle of the tablecloth are Count Poppo of Henneberg and wife Sophie of Brunswick (see detail and full images below; click image to expand; public domain) (Herbert, Trombone 79). The top detail, below, is from a 19th-century color engraving that is a copy of the original tablecloth (Hefner-Alteneck, vol. 9, pl. 594). The second image is a photo of the original tablecloth, now lost (Newe deudsche gesitliche Gesenge, unpaginated front matter). The third is the full 19th-century copy that the top detail is drawn from.

Another Angel Trombonist in the Clouds

I just added the below entry and pictures to the Trombone History Timeline (17th century—first half). It is an engraving after an image by Peter Candid (also known as Peter de Witte and Pietro Candido). For more trombone images by Candid, see here. As you can see, it features yet another angel trombonist; for many more pictures of angels playing trombone, see Angel Trombonists Throughout History.

 

1615—Munich, Germany (?): Allegory of the Immaculate Conception, an engraving by Raphael Sadeler (1584-1632) after Peter Candid (also known as Peter de Witte and Pietro Candido), includes an angel trombonist among a group of musical angels (see detail and full image below image;  public domain). Click on detail to expand.