Serpents & Ophicleides: 16 New Historical Images

I recently added 16 more images of serpents and ophicleides to the post Serpents & Ophicleides: History and Images, bringing the total to 120 images. I’m not sure if you can find that many historical pictures of serpents and ophicleides anywhere else, at least in any one place. Are there any trends to be seen in the depictions? Well, first of all, they are overwhelmingly French. Second, it is easy to divide the pictures into two broad categories: religious and military. Third, in the mid-to-late 19th century, you start to see more and more humorous depictions and caricatures, which is a trend I think you can see in music iconography in general. Here are the 16 new images, along with their captions:

 

c. 1590—Milan, Italy: Aurelio Luini depicts a cherub concert in his fresco in Milan’s San Simpliciano. The cherub to the immediate right of the trombonist may be playing a very small serpent (see below image; public domain) (Kendrick, Sounds of Milan 77 [black & white version]).

1762-1765—Paris, France: Denis Diderot includes the below graphic of the serpent in his famous Encyclopédie (see below image; public domain).

1809-1837—France: A printed entitled Planche de militaires, published by Jean-Baptiste Castiaux, includes a depiction of a military serpent player (see below image; public domain) (Paris, Museum of Civilization in Europe and the Mediterranean).

1825-50—Strasbourg, France: A watercolor by Wurtz and Pees, part of a collection of military figurines, depicts a serpent player of the regiment of mounted grenadiers of the Imperial Guard (see below image; public domain) (Paris, musée de l’Armée).

1825-50—Strasbourg, France: A watercolor by Wurtz and Pees, part of a collection of military figurines, includes depictions of 2 serpent players of the battalion of Neufchatel of 1808 (see below image; public domain) (Paris, musée de l’Armée).

1825-50—Strasbourg, France: A watercolor by Wurtz and Pees, part of a collection of military figurines, includes a depiction of a serpent player on horseback with the 7th regiment of cuirassiers (see below image; public domain) (Paris, musée de l’Armée).

1825-50—Strasbourg, France: A watercolor by Wurtz and Pees, part of a collection of military figurines, includes a depiction of a serpent player with the musicians of the “régiment Irlandais, 1809-1811″ (see below detail; public domain) (Paris, musée de l’Armée).

1825-1850—Strasbourg, France: The Wurtz and Pées family produces paper figurines of various military units. Among them are the below cavalry musicians, which include a serpent player (see below image; public domain).

1850—An illustration features an ophicleide player from the Coldstream Guards Band in full uniform (see below image; public domain).

1850-1875—France: Musique d’infanterie française, a color lithograph printed by Pellerin, includes 3 ophicleide players among the infantry musicians (see below image–click picture for larger version; public domain) (Paris, Museum of European and Mediterranean Civilization).

 1850-1875—France: Musique d’infanterie française, a color lithograph printed by Pellerin, includes a pair of ophicleide players among the infantry musicians (see below detail, click picture for larger version; public domain) (Paris, Museum of European and Mediterranean Civilization).

 1860-1872—France: A color lithograph entitled Procession de Ste Anne d’Auray includes an ophicleide as part of the procession (see below image; public domain) (Paris, Museum of European and Mediterranean Civilization). For a similar image, see 1847, above.

1862—Paris, France: A print by Jules Gaildrau entitled Fête des mécaniciens de la marine Impériale is published in the periodical L’Illustration. It includes an ophicleide among the band instruments at the celebration (see detail and full image below, after a sketch by Letuaire; public domain) (Dec 27, 1862, p. 432).

1867—Paris, France: A print after a drawing by Letuaire depicts the funeral convoy of Commander John Cornwall, US Navy, who died aboard the Miantonomah in Toulon Harbor. Among the musicians in the procession are a pair of ophicleides (see detail and full image below; public domain) (L’Illustration, March 2, 1867, p. 140).

c. 1875—Paris, France:  Choeur de six personnages en costume ecclésiastique devant un lutrin, a pen and ink drawing by French painter and illustrator Charles Henri Pille, features an ophicleide player accompanying 5 singers, all of them in religious garb (see below image;  public domain) (Paris, The Louvre).

1897—Paris, France: A comic by Henriot (pseudonym for cartoonist Maigrot Henry) features an ophicleide being used to hold champagne by soldiers of the Préobrajensky regiment, a prestigious regiment of the Russian Imperial Guard. The caption reads, “La musique du régiment de Préobrajensky.—Encore des patriotes qui ont fourré dans ton ophicléide six bouteilles de champagne!—Je comprends maintenant pour quoi il ne voulait pas jouer!” (see below image; public domain) (L’Illustration, Nov 20, 1897).

More Rear-Facing Trombones

Added the below image and caption to the Trombone History Timeline (19th century, first half). I’ll also be adding it to the article Backward Advances: Rear-Facing Trombones Throughout History.

1810-40—Strasbourg, France: An image by artist Boersch Thiébaut (1782-1861) that is part of set of figurines executed between 1810 and 1850 features musicians of the 14th Regiment, including 2 rear-facing trombones (see below image; public domain) (Paris, musée de l’Armée).

3 Rear-Facing Trombones and a Buccin

I recently added the below images and captions to the Trombone History Timeline. In addition to the 3 rear-facing trombones and the buccin (dragon-bell trombone), low brass players may be interested in the 2 serpents and the ophicleide in these pictures. For more information, see the HubPages article Backward Advances: Rear-Facing Trombones Throughout History, and the blog post Serpent & Ophicleide: History and Images.

 

c. 1800—Germany: A print of military musicians entitled  Turkische Musick der K. Baierischen Grendier Garde, now held in the German National Museum, includes a rear-facing trombone (see below detail; public domain).

c. 1800—Frankfurt am Main, Germany: Philipp Jakob Döring publishes a sheet of cut-outs of military musicians that includes a rear-facing trombone (see below detail; public domain) (German National Museum).

1800s—France: A print entitled Macédoines—Jongleurs—Tours de force et d’adresse features a row of musicians, including a dragon-bell trombone (see below detail; public domain) (Paris, Musée des Civilisations de l’Europe et de la Méditerranée).

1856-1900—The Netherlands: The publisher Glenisson and Sons publishes a print of military musicians that includes 2 rear-facing trombones (see below detail; public domain) (Catchpenny Prints of Royal Dutch Library).

3 Military Serpents

I just added the following 3 images to the post Serpent & Ophicleide: History and Images, bringing the total number of images in that post to 90. Enjoy!

 

c. 1800—Nuremberg, Germany: An image depicting Nuremberg military musicians includes a serpent player (see below image; public domain) (Nuremberg, German National Museum).

1828—Great Britain: A military image features a British serpent player in full military garb (see below image; public domain) (New York Public Library Digital Gallery).

1830—France: Garde Imperiale: Regiments des Grenadiers a pieds, an image created by G. David in 1830 but meant to depict 1804, includes a military serpent player (see below image; public domain).

Two Military Trombonists

I just added two more images to the Trombone History Timeline (20th century). Both are military watercolors by Albert Escher (1833-1905), depicting soldiers of an earlier era. Notice that the trombone player is almost identical (including his instrument) in the two paintings, the differences being the uniforms and, of course, the facial hair.

 

c. 1901—A watercolor signed by Albert Escher (1833-1905) depicts a group of Dutch soldiers, including a military trombonist. The title is Netherlands, 1821 (see below image; public domain) (New York Public Library Digital Gallery).

c. 1901—A watercolor signed by Albert Escher (1833-1905) depicts a group of Italian soldiers, including a military trombonist. The title is Italy: Kingdom of the Two Sicilies, 1824-1828 (see below image; public domain) (New York Public Library Digital Gallery).

Rear-facing Buccin

I just added the following image and caption to 19th century timeline (1st half) and to the HubPages article, Backward Advances: Rear-Facing Trombones Throughout History.

 

1820-39—Rotterdam, Netherlands: A catchpenny print by T.C. Hoffers and A. van Alphen depicting various military instruments includes 2 rear-facing trombones, one with a dragon bell (see below detail; public domain) (Catchpenny Prints of the Dutch Royal Library).

Two Bones and a Serpent

I just added the below entry and image to the 19th century timeline (2nd half) and to the blog post, Serpent & Ophicleide: History and Images.

 

1865-1916—Netherlands: A painting by artist Willem Constantijn Staring (1847-1916) depicts bandsmen of the 9th Regiment Infantry, including a pair of trombonists and a musician playing a green-colored serpent (see below image; public domain).

Serpent on the March

It’s not quite as odd as the title sounds. I just added the below caption and image to the post, Serpent & Ophicleide: History and Images.

 

c. 1790—London, England: An engraving depicts a regiment of Foot Guards in front of St. James’s Palace. Included among the soldier-musicians is a serpent player (see below detail; public domain; Strachan, British Military Uniforms, pl. 27) (Scottish United Services Museum).

Three Military Trombonists

I recently added the below three military trombone images to their respective timelines: 18th century, 19th century (1st half), and 19th century (2nd half). Not only are they all military subjects, but, although they span roughly a century, they also all feature rear-facing trombones (see here for more rear-facing trombones). The other element of interest for a low brass player is the serpents and ophicleides; I will soon be adding the pictures to the post, Serpent & Ophicleide: History and Images.

 

1781-1854—Amsterdam, Netherlands: Military Music, a catchpenny print produced by Erve H. Rijnders, includes a rear-facing trombone (see below detail; public domain) (Catchpenny Prints of the Dutch Royal Library).

1806—France: An image depicting 7 French military musicians includes a soldier playing a rear-facing trombone (see below image; public domain) (New York Public Library Digital Gallery).

1875-1900—Epinal, France: An image published by Pellerin, entitled French Music (Dragoons), depicts a group of military musicians on horseback, including one playing a rear-facing trombone (see detail and full image below; public domain) (Museum of European and Mediterranean Civilization).

Catchpenny Trombone

I mentioned a catchpenny print in an earlier post, although I didn’t explain the term. Historically, a catchpenny print is an inexpensively-produced image intended for the masses. A number of them contained military characters, including military musicians. Here is another catchpenny print that features trombone, just added to the Trombone History Timeline (19th century—2nd half). For more rear-facing trombones, see this article.

 

1866-1897—The Netherlands: Printer Franciscus Anthonius Beersmans publishes a woodcut, Ten strijde! (“To battle!”), that features several Dutch military musicians, including one with a rear-facing trombone (see image below—click for larger version; public domain) (Catchpenny Prints of the Netherlands Royal Library).