Angel-Trombonists, Italian Painters, and the 17th Century

Added another image of an angel-trombonist to the Early 17th Century Timeline (see images and timeline entry, below). Trombone history seems to replete with these striking paintings, particularly by Italian artists, depicting the sacred nature of the trombone. See especially 17th Century (first half) and 17th Century (second half).

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Proso di Piuro detailProso di Piuroc. 1641—Prosto di Piuro, Valchiavenna, Italy: A fresco in the vault of the presbytery of chiesa dell’Assunta painted by either Giovan Battista Recchi or his brother, Giovan Paolo Recchi, includes a trombonist among several angel musicians (see facing detail and full image, below; public domain) (Pescarmona 77).

Trombone History: Another Curious Image

Added the below trombone images and entry to the 16th Century (first half) Timeline.  This particular trombone image shows characteristics of both a slide trumpet (e.g., the long bell section, the low brace between bell and slide that would preclude movement of a double slide) and a trombone (e.g., a possible double slide, the overall length, the way the instrument is not being gripped near the mouth, and the curve of tubing that extends behind the head). This depiction’s ambiguity places it among other “Curious Images” that may represent the transition between slide trumpet and trombone. As always, the thing to remember, of course, is that artwork is not always literal.

Fiammenghino-detailFiammenghino-medium1608—Gravedona, Italy: Glory of God the Father and the Angels, a fresco by Giovanni Mauro della Rovere (also known as Fiammenghino), located in the Church of Santi Gusmeo e Matteo, includes a depiction of what could be a trombone. The instrument has characteristics of both slide trumpet and trombone; it could simply be an awkwardly-rendered depiction of either instrument. Other nearby angel-musicians play viol, organ, flute, and lute (see facing detail and medium detail below; public domain) (Angelis 43).

Trombone History: Another Angel-Trombonist

Found the below painting and posted it in the Trombone History Timeline–17th century (2nd half). Another nice religious image. The angel almost looks a bit soulful!

passau cathedral1668-93—Passau, Germany: Carpoforo Tencalla’s fresco in St. Stephan’s Cathedral includes depictions of many angel-musicians, including a trombonist (see facing image; public domain) (Crombie 50).

Trombone History: Angel-Trombonist in 16th Century Altarpiece

Added a really nice painting by German artist Hans Baldung to the 16th Century Timeline, dating from fairly early in the history of the trombone. The angel’s grip of the slide is interesting, but probably not a literal representation. In general terms, notice the fairly equal balance of religious versus secular trombone iconography from the 16th century.

Baldung detailBaldung1516—Freiburg, Germany: Hans Baldung’s painting, Coronation of the Virgin, the central panel of an altarpiece located in the Freiburg Cathedral, includes an angel-trombonist among a group of angels playing wind instruments above and to the left of the Virgin (see facing detail and full image, below; public domain) (Burkhard pl. 2).

Trombone History: Early Rear-facing Trombones

Found the below Italian fresco that features a rear-facing (or over-the-shoulder) trombone and added it to the early 17th century timeline. I know of only one other pre-19th century image that clearly shows such an instrument; I’ve included that image in this post as well (1578). Also included at the end of the post (since the entries are in reverse-chronological order) is what is perhaps a proto-rear-facing trombone from c. 1405. The fresco from c. 1615 is also of interest because it has only recently been restored (and, indeed, at the base of the photograph you can see what appear to be some restoration materials left in the picture). Also noteworthy in the painting is the trombone’s bell flare, which is more prominent than usual for this early date. Finally, as I have mentioned several times, it is quite arresting just how many trombone images originate from the 50-year period of 1601-1650.

c. 1615—Cislago, Italy: The Church of Santa Maria della Neve contains an anonymous fresco lunette featuring several angel musicians, including a trombonist. The trombone is particularly noteworthy because it is a rear-facing (sometimes called “over-the-shoulder”) instrument, an unusual configuration for this early date (see below image; public domain) (Morandi; Farioli). For another early rear-facing instrument, see 1578 in the 16th century timeline, where a cherub-trombonist is featured. In later centuries, particularly the 19th century, rear-facing trombones become much more common; the 19th century timeline includes at least 9 such images.

1578—Antwerp, Belgium: A set of masses by George de La Hele includes an image–an initial D in front of a group of cherub musicians–that features a rear-facing trombone being played by a cherub (also rear-facing) (see below image; public domain; Wangermée vol. 1 167).c. 1405—Paris, France: A grotesque from the Hours of Charles the Noble plays what is perhaps a proto-rear-facing trombone; there is no slide, but the similarity in general shape is obvious (see below image; public domain) (RIdIM/RCMI Inventory No. 8, p. 21).

Trombone History: From the Balcony

Added the following 3 images and entry to the 17th century timeline (1st half). The fourth image, a drawing, is clearly related, although it comes from a separate source; I expanded its entry to include a reference to the painting. As I have mentioned before, the concentration of trombone images from this half of the 17th century is remarkable.

Reni Gloria leftReni Gloria rightReni Gloria1609—Rome, Italy: Guido Reni’s Gloria d’angeli, a fresco located in S. Gregorio Magno, Cappella di S. Silvia, includes 2 trombones (see above details and full image) (Cavalli, pl. 28 and 32; Pepper, pl. 30). A drawing pictured elsewhere (see 1600s—Southern Netherlands) is almost certainly either a preparatory sketch for or a copy of Reni’s painting.

La Musique 2871600s—Southern Netherlands: An anonymous 17th century drawing portrays five angel-musicians, including a trombonist, performing from a balcony or platform. Separate leaves of music for four of the five players are pictured draped over the edge (see facing image; public domain) (Paris, Louvre; Wangermée vol. 1 287). The drawing is clearly either a preparatory sketch for or a copy of Guido Reni’s fresco, Gloria d’angeli (see 1609).

Trombone History: 18th Century Image

Found a really striking painting today by Felice Torelli and posted it in the 18th Century Trombone History Timeline. I have not seen this painting in any of the standard trombone or brass sources. As I note in an earlier post, the 18th century is a little late for depictions of trombonists as angels, but here’s another example. I’m still researching the artist; one source says Felice Torelli is actually the brother of composer Giuseppe Torelli, which would be an interesting bit of information, but Felice’s years (1667-1748) don’t seem quite right. At any rate, the painting definitely shows the trombone prominently, with no other instruments obviously included in the image. As far as the actual rendering, one never knows how literal artists are; as I mention in the caption, the flat stays are to be expected, but the slide appears somewhat long and the grip somewhat unorthodox. The mouthpiece, which at first glance appears to be missing, may be suggested by a small horizontal line approximately where the player’s Adam’s apple would be; a color reproduction would likely clarify.

Update: I found out that Felice Torelli is, in fact, the brother of composer/violinist Giuseppe Torelli. In fact, according to Oxford Art Online, Felice actually pursued music for a time, moving to Bologna with his older brother, Giuseppe (source: Oxford Art Online, “Torelli: (1) Felice Torelli”).

1710—Verona, Italy: Felice Torelli depicts an angel playing trombone in Immacolata Concezione, painted for the church of Sant’Orsola dei Mendicati shortly after the proclamation of the feast day of the Immaculate Conception. The image is noteworthy because no other musical instruments are depicted with the trombone. The artist includes the usual flat stays found on trombones of the time, but the slide appears to be somewhat longer than usual and the player’s grip on the instrument’s back tubing somewhat unorthodox (above; public domain image; Verona, Museo di Castelvecchio) (Chiodini).

Trombone History: New World Trombone Angels

Added the below image and caption to the 16th Century Trombone Timeline. Not only is it an unusual visual depiction from relatively early in trombone history (1550-1556), but it is from the New World. There is another image in the timeline that’s from 16th century Mexico, a fresco in the church of San Esteban in Tizatlan, Tlaxcala, that features a trombonist-angel, but I have not been able to pinpoint a date more specific than the 16th century.

Posa chapel1550-1556—Huejotzingo, Puebla, Mexico: A stone carving on one of the 4 posa chapels occupying the corners of the atrium of the church of the Franciscan monastery of San Miguel, Huejotzingo features 2 trombone-playing angels (see facing image; public domain) (Viñuales and Gant 23; Donahue-Wallace 12).

Trombone History: More Trombone Angels

Added the below drawing and caption to the Trombone History 16th Century Timeline. I was only able to add the detail of the trombone, not the full image, because of some technical problems (I don’t think WordPress likes how big these pages are getting; I may have to start splitting up centuries), but I’ve included the full image in this post.

All these images of trombonists as angel-musicians (see also posts here and here, as well as the Trombone Timeline in general) seem to reflect the trombone’s role as a sacred instrument, an association that has faded over time, making these images somewhat surprising to modern eyes.

Brizio detailBrizioLate 16th century—Italy: Bolognese painter and engraver Francesco Brizio includes trombone among numerous angel-musicians in his study, Lunette with Musical Angels in the Clouds (see facing detail; public domain) (Bohn 532).

Trombone History: More Trombone Angels

Added the following entry to the 18th Century Trombone History Timeline about an anonymous depiction of an angel-trombonist among other angel-musicians. With the painting mentioned in the last post, it would appear to be rare historically, being one of only a few paintings outside of the 16th and 17th centuries I’ve been able to locate that depict trombonists as angel-musicians. The trombone player, by the way, is on the far-right of the painting.

D'Ongina detailD'Ongina1709—Monticelli d’Ongina, Italy: The church Collegiata di San Lorenzo is refurbished in Baroque style. It is probably at this time that an anonymous artist paints a fresco in the church depicting several angel-musicians, including a trombonist. This painting, along with the painted wood ceiling in Tönning, Germany (see 1704, above), is a relatively late example of trombone being depicted among angel-musicians (see facing detail and full image, below; public domain) (Genesi).