Two New Baroque Trombone Paintings

I just added two new paintings to the Trombone History Timeline. They are shown below, along with their captions. I have also added them to the post, Pick That Thing Up and Play! 11 Trombone Paintings from 17th-Century Flanders (which was formerly titled 9 Paintings from 17th-Century Flanders). It’s interesting how similar several of the 11 paintings in that post are.

 

c. 1610—The Judgment of Midas, a painting by Flemish artist Adriaen van Stalbemt, includes a trombone. The trombone rests on the ground among several other instruments (see below image; public domain).

1639—Adriaen van Stalbemt, a Flemish Baroque artist from Antwerpt, paints Midas Listening to Apollo, which includes a trombone among several other instruments resting on the ground (see below image; public domain).

Will Kimball Recordings

Collage: A Diverse Collection of Works for Trombone (Will Kimball, trombone & Timothy Smith, piano)

•Gershwin, Three Preludes (arr. Kimball)

•Bloch, Symphony for Trombone

•Faure, “Pie Jesu” from Requiem (arr. Kimball)

•L. Mozart, Concerto for Alto Trombone

•Plog, Trombone Quartet No. 1, “Densities” (with Utah Symphony trombone section)

Price: $15.00

 

Utah Trombone Authority (Mark Ammons, Will Kimball, Russell McKinney, James Nova, trombone)

•O’Loughlin, Inertia

•Tallis, Tallis for Trombones (arr. McKinney)

•Sargent, 4

•Persichetti, Hymns and Responses for the Church Year (arr. Kimball & McKinney)

•Bach, Prelude and Fugue from The Well-Tempered Clavier (arr. Nova)

•Shostakovich, Prelude and Fugue (arr. Nova)

•Boren, Antics for Four Trombones

•Hendrix, Purple Haze (arr. Ricks)

Price: $15.00

 

Introducing the New Hot 5 and Jazz for Cows (Clark Burnside, clarinet; Steve Call, tuba; Daniel Henderson, trumpet; Will Kimball, trombone; Joshua Payne, banjo)

•High Society

•Basin Street Blues

•12th Street Rag

•Aunt Hagar’s Blues

•Royal Garden Blues

•Mood Indigo

•Big Bear Stomp

•1919 Rag

•Come Back to Sorrento

•Maryland My Maryland

•That’s a Plenty

•Snake Rag

•Just a Closer Walk With Thee/America the Beautiful

•When the Saints Go Marching In

Price: $15.00

 

Escape to a Place of Peace and Calm (various Tantara artists, including Will Kimball, alto trombone)

•Maurice, Chanson pour ma Mie (II), from Tableaux de Provence

•Mendelssohn, Songs Without Words, op. 19, no.1

•Barber, Adagio for Strings, op. 11

•Dukelsky, Flowers in the Place de la Madeleine, from Parisian Suite

•Cundick, Ruth (IV), from A Full House

•DiNovi, The Gardens of Japan

•Debussy, Menuet (III), from Petite Suite

•Mendelssohn, Andante (II), from Concerto for Two Pianos and Orchestra in E Major

•Chopin, Prelude in E minor, op. 28, no. 4

•Cundick, Idyll, excerpt from Sonata for Violoncello and Piano

•Chopin, Berceuse, op. 57

•Faure, Pie Jesu, from Requiem

•Manz, E’en So Lord Jesus Quickly Come

•Beethoven, Adagio Cantabile (II), from Sonata for Piano, op. 13, “Pathétique”

Price: $15.00

Better Cherub Image, Plus 2 Additional Views

I recently found a clear color image of the trombone-playing cherub in Milan’s San Simpliciano. I have replaced the old, blurry, black and white image in the Trombone History Timeline (16th century) and in the HubPages article, Trombone History: Cherubs Playing the Trombone (where you can view 10 additional depictions of cherub-trombonists). An interesting side note: the cherub to the right of the trombonist may actually be playing a serpent; if so, it would be a very early visual depiction of the instrument.

You can see the new image, along with its caption, immediately below. Beneath that are two additional views of the painting. Enjoy!

 

c. 1590—Milan, Italy: Aurelio Luini depicts a cherub playing trombone in his fresco in Milan’s San Simpliciano (see below image; public domain) (Kendrick, Sounds of Milan 77 [black & white version]).

Here is a view of the full cherub painting (click image for larger version):

And finally, here is a wide view of the painting and the organ it is connected with:

Website Cited in Two Books

I mentioned some time ago that this website had been cited in the Historic Brass Society Journal. I was excited to see more recently that the Trombone History Timeline was cited several times in the 2nd edition of Carter and Kite-Powell’s Performer’s Guide to Renaissance Music (Indiana University Press, 2007) as well as in Rossella Marisi’s Wind Instruments (GRIN Verlag, 2011). I’m glad it’s being used!

Six New Serpent and Ophicleide Images

I’ve added 6 new serpent and ophicleide images to the post Serpent & Ophicleide: History and Images, bringing the total images in that post to more than 100. Here are the new pictures, along with their captions:

 

1673—Rome, Italy: Athanasius Kircher includes a print and description of the serpent in his treatise, Phonurgia nova (see below image; public domain) (source: European Cultural Heritage Online).

1844—France: An illustration by J. J. Grandville in Un autre Monde depicts an ophicleide gone awry, as described by Grandville: “An accident marked the end of the concert. During the fireworks in D, where the fugue ended smorzando in a sweet and dreamy melody, an ophicleide, overloaded with harmony, suddenly exploded like a bomb, launching the blacks, the whites, the grupetti of sharps, eight- and sixteenth notes; the clouds of musical smoke and the flames of melody were dispersed into the air. Many dilettantes had their ears blown out, while others were injured by the shrapnel of the F and G clefs. Measures have been take to ensure that such an accident does not happen again” (see below image; public domain).

1846—Paris, France: A caricature by J.J. Grandville depicts Berlioz conducting a monstrous orchestra that includes a giant ophicleide (see below image; public domain) (source: wikimedia commons). The original version of the image, published in a Paris newspaper in 1845, was black and white and did not include the large ophicleide on the top-right. The version below was published in Louis Reybaud’s novel, Jérome Paturot a la recherche d’une position sociale, with a caption reading, “Fortunately the hall is solid…it can handle the strain.”

c. 1850—Paris, France: A humorous lithograph by artist Charles Edouard de Beaumont, printed by Aubert, shows a somewhat shabby-looking man with a serpent approaching two women. The caption beneath indicates one of the women saying “Clarisse, beware…the serpent!” (see below image; public domain) (source: Museum of Musical Instruments).

1876—Paris, France: Université illustrée publishes Chantres au lutrin, a print by Henri Brispot depicting a serpent with voices (see below image; public domain) (October 1876; source: Museum of Musical Instruments).

1906—A postcard by R. F. Outcault from Buster Brown Series No. 1000 depicts a young ophicleide player (see below image; public domain) (source: Serpent Newsletter, September 2011 [black and white version]).