3 Views of Renaissance Trombone Painting by Frei Carlos

I recently came across Assumption of the Virgin, the painting from which Musical Angels, a relatively common detail of the Frei Carlos painting, is extracted (see 16th century trombone history timeline).

The full painting (the bottom image, below) can be purchased from Superstock and is helpful because it provides context for the subject matter.

The middle detail can be purchased at AllPosters, among other places.

The closest detail is nice because you can see the small cracks in the paint, an effect that has its own beauty (see this detail of the Mona Lisa). The effect actually has a name: craquelure, or the pattern of cracks that develops as paint ages.

As I mention in an article called How to Hold a Sackbut (yes, quite the silly title), the bell of the angel’s trombone appears to have been retouched, resulting in an unlikely bell flare. If you look closely you can see a hint of what appears to be the original more gradual bell flare under the dark gray-green paint.

Here’s the timeline entry, plus the three views:

c. 1530—Musical Angels, a detail from Assumption of the Virgin by Frei Carlos, a Flemish monk who worked in Portugal, depicts angels playing trombone, shawm, and pipe (or recorder) (see below image; public domain) (Lisbon, National Museum of Ancient Art).

Trombone History: Two More Early Procession Prints

I just added two more festival book images to the 17th century timeline (1st half). They could really be included in the previous century, since they are documenting an event from 1596, but I included them in the 17th because that’s when the record was actually published. I had the first of the three below images in the timeline already; the bottom two are new. I’ve included the timeline caption here as well:

1601—Wolfenbüttel, Germany: A festival book for Landgrave Moritz of Hesse-Kassel documenting the 1596 celebrations in honor of the baptism his daughter, Elizabeth, includes at least three different images (by artist Wilhelm Dilich) of trombones in musical ensembles walking in procession (see below images; public domain) (Dilich 00135). The bottom image is somewhat unusual for its inclusion of two trombones in such a small ensemble.

Artist Jim Flora’s Magnificent Trombones

Artist Jim Flora (1914-98) created many famous jazz images, including numerous album covers for Columbia Records in the 1940s and 50s. Below are four terrific trombone images that his estate has graciously allowed me to add to the Trombone History Timeline (20th Century). Each one features a notable trombonist in jazz history (in order, top to bottom: J.J. Johnson, Charlie Green, Kid Ory, and Miff Mole). To purchase an image, or for more information about the artist, visit http://www.jimflora.com. All images are used by permission of www.JimFlora.com and are © The Heirs of James Flora.

Jim Flora, Sweets and J.J. Johnson (1992). Used by permission of www.JimFlora.com, © The Heirs of James Flora.

Jim Flora, Trombone Cholly. Used by permission of www.JimFlora.com, © The Heirs of James Flora.

Jim Flora, Kid Ory album cover (1947). Used by permission of www.JimFlora.com, © The Heirs of James Flora.

Jim Flora, Miff Mole's Cat (1992). Used by permission of www.JimFlora.com, © The Heirs of James Flora.

Perching on the Pipes: Another Trombone and Organ Image

Just over a year ago I compiled a set of numerous images from the Trombone History Timeline of angels playing trombones atop organ pipes. You can see that post here. One of the common factors of those depictions is that they are all from Germany. I have just added another trombone and organ picture, but this one is from Prague, Czech Republic. The caption and photograph are below. You can see it in the broader context of trombone history in the 18th century timeline.

1746—Prague, Czech Republic: An organ by Tomas Schwarz is completed and installed in St. Nicholas Cathedral. Atop the pipes of the organ are numerous angels playing musical instruments, including trombones (see below image).

The Faintest Hint of a Trombone

The faintest hint of a trombone (not a phrase you often hear) can be seen in the below painting I just added to the 17th century timeline (2nd half). A barely-visible angel playing trombone is found in the middle of the below detail, just below center. Possibly by Antonio Palomino, the wall painting is located at Oficio de San Nicolas in the Convento de San Esteban in Salamanca, Spain. The photo is from this page on dulcian iconography.

Polyhymnia, Muse of Trombone?

Earlier today I added a second image of Polyhymnia, muse of sacred poetry and hymns, to the 16th century timeline. The new one, shown below on the right, is an anonymous image held in the Louvre, but it is almost an exact mirror image (minus the wings and a few details) of the engraving by Franz Brun shown below on the left. The two pictures make a striking little pair!

c. 1570—An engraving by Franz Ignaz Brun from the Nine Muses series features an angel-musician playing trombone (see left image; public domain) (British Museum). Another image, also representing Polyhymnia, is nearly a mirror image (without the wings), and is probably either a preparatory sketch or a copy of Brun’s (see right image; public domain) (Louvre, INV 18676.6).

Photo of Sousa with Trombone Soloist

I just added the below photograph and caption to the 19th century timeline (2nd half). The photo does not identify the trombonist, although it is well known that Arthur Pryor was a frequent soloist with Sousa, so Pryor is definitely a possibility. As a side note, it is also interesting that Sousa’s own father was a professional trombonist.

c. 1900—A photograph shows the legendary bandmaster-composer John Philip Sousa conducting a band with a trombone soloist (see image below). The photo is held by the US Library of Congress.

Another 17th Century Trombone Print

I just added the lower caption and image to the 17th century timeline (1st half). In several details—the posture and dress of the player, the style of the chair, and the rendering of the trombone—it bears a strong resemblance to this Bracelli print of c. 1630 (see first image, below), also found in the timeline; my guess is that they’re either by the same artist, or one is a copy of the other.

First, the Bracelli etching, c. 1630:

Now, the new image with its timeline caption:

c. 1634—A print, possibly by French artist Jacques Callot, shows a solitary trombonist casually playing while sitting cross-legged on a chair (see below image; public domain):

Paper Serpents

As I mentioned in an earlier post on paper trombonists, an interesting little subset of music history images exists in the form of contemporary 19th-century military figurines. These figurines include military musicians, and, more specifically, serpent players. Although a number of such collections are available, all of the examples shown below were produced by the Wurtz and Pées family in Strasbourg, France, between 1825 and 1850. As I also mentioned in the post on trombones, these depictions are probably fairly literal, as their creators (and collectors) were known to obsess over such minutiae as the color of the buttons on a given uniform or the type of insignia on a given battalion’s hat. I have cropped several of the images to better show the serpent players, but each one comes from a very specific military regiment. The bottom four images of this post are also included in the post on paper trombonists. Soon I will also include a couple of the best serpent pictures in another post, Serpent & Ophicleide: History and Images. I personally like the first one in the set below, although I think I’m partial to all the players on horseback (just seems like an eccentric way to play music).

Paper Trombonists

The popular term paper tiger, indicating something that initially seems threatening but is in reality harmless, does not seem fitting for the trombone in general. If anything, the trombone is musically quite the reverse!

There is, however, an interesting collection of trombone history images, originating from sets of 19th-century military figurines, that depicts trombones as paper figurines. Although many such images are available, all of the examples shown below were produced by the Wurtz and Pées family in Strasbourg, France, between 1825 and 1850. These depictions appear to be quite literal, as their creators (and collectors) were known to obsess over such minutiae as the color of buttons on a given uniform or the type of insignia on the battalion’s hat. I have cropped several of the images to better show the trombonists, but each one comes from a very specific military regiment. A few things are noteworthy about the pictures in the context of trombone history: 1) every one of the trombones is rear-facing (for more on this, see Backward Advances: Rear-Facing Trombones Throughout History), 2) the fifth set of pictures includes what appears to be a rear-facing buccin, or trombone with dragon bell, 3) several of the pictures also include an instrument called the serpent, a wind instrument considered a predecessor to the tuba (for more on the serpent throughout history, see Serpent & Ophicleide: History and Images), and finally, 4) several of the figurines represent mounted regiments, with trombonists in the seemingly awkward position of trying to play while riding on horseback (for more such images, see Hi Ho, Brass! Trombones on Horseback). Overall, the pictures provide an interesting snapshot of the trombone in the 19th century military band (for more on the trombone in the military throughout history, see here and here). I will soon be adding several of the pictures to the 19th century timeline (first half), which should help place them in historical context.