Quirky Images: Trombone and Worms

It’s not what you think. Jules Worms was a French artist who lived from 1832 to 1914. Both of the below images by him were recently added to the 19th century timeline (2nd half), and both are a bit quirky:

1860—Paris, France: Jules Worms depicts a somewhat villainous-looking trombonist in Le cabaret du Lapin-Blanc, an art work published in the periodical L’Illustration (see above image; public domain) (Vol. 36, 1860, p. 403).

1877—Paris, France: Artist Jules Worms depicts an ensemble of musicians with animal heads for the cover the piano score of La Lutte Artistique (“The Artistic Struggle”), a quadrille by E. Marie. The trombonist has what appears to be the head of a rooster. The conductor, of course, is represented by a monkey (see above image; public domain) (source: Library of Congress).

Gramophone Magazine

I was recently contacted by an editor from Gramophone Magazine who expressed interest in using some of the images from the 17th century timeline in an upcoming issue. Nice honor. Seems that some of the paintings, especially, are not widely known.

Trombone History: First Non-Italian Depiction of Trombone

Added the following to the 16th century timeline, possibly the first non-Italian depiction of the trombone. Below the first two images and caption I’m also adding here an image I didn’t include in the timeline–I wider shot that includes the church’s organ as well.

trombonist angel, Abbey Eglise Saint-Pierre et Saint-Paul, Gonesse

angel musicians, Abbey Eglise Saint-Pierre et Saint-Paul, Gonesse

1508—Gonesse, France: In what may constitute the earliest non-Italian visual depiction of the trombone, a painted panel on the organ balcony at Abbey Eglise Saint-Pierre et Saint-Paul features an angel-trombonist. Other instruments depicted include viol, shawm, crumhorn, harp, lute, and organ (see detail, top, and full image, below; public domain). Click on full image for larger version (Fischer, Organology; Luri, Les Anges).

wide view, angel musicians and organ, Abbey Eglise Saint-Pierre et Saint-Paul

Trombone History: Distin Family Brass Quintet

Added the below image and entry the the 19th century timeline (first half).

c. 1834—England: A print depicting the Distin Family Brass Quintet, an ensemble known for adopting Adolph Sax’s valve instruments, includes a member holding a slide trombone, indicating the instrument was probably used at least during the early days of the ensemble (see above image; public domain) (Baines, Brass plate XI). According to Dudgeon, “The early quintet performances of the Distin family used various combinations of keyed bugle, cornopean, slide trumpet, natural horns, and trombone; all made by the firm of Pace. By 1844, the Distins met Adolph Sax and made the switch to valved saxhorns” (Dudgeon, Keyed Bugle 28).

Trombone History: 16th Century Angel-Trombonist

Added the following image and caption to the 16th century timeline–yet another example of an angel-trombonist, this time going solo. The engraving probably originates from Germany.

c. 1570—An engraving by Franz Ignaz Brun from the Nine Muses series features an angel-musician playing trombone (see below image; public domain) (British Museum).

Trombonist-Panhandler in 19th Century France

Added the below image and caption to the 19th century timeline (2nd half). It is not known whether the trombonist fared any better than Joshua Bell did recently in the NY subway, or whether the “poor dog” is in reference to the trombonist or the actual canine.

1854—Paris, France: A drawing published in the French periodical, L’Illustration, features a trombonist-panhandler. The caption reads, “This poor dog moves the heart of my cousin. I cannot give less than a dollar” (see facing image; public domain) (L’Illustration, Vol. 24, September 9, 1854, p. 172).

Trombone Saves Man’s Life

Just added this touching story to the 19th century timeline (2nd half):

1875—New York: Harper’s Magazine publishes a humorous fictional piece, “The Story of a Trombone,” with illustrations by Charles Reinhardt. The story is about a man who lives below a French trombonist whose practicing has become an annoyance. “It is not to be endured,” the man complains to the landlord. “My rest is disturbed, my waking hours tortured, by this rasping fiend of a horn!” The complaining neighbor soon finds out, however, that the trombonist has an attractive daughter, and he is faced with the difficulty of putting aside his dislike for the trombonist’s playing in order to court the daughter (who, of course, is soon to join a convent). The conflict comes to a head when a fire threatens to destroy the apartment building and the daughter sends the suitor to rescue her father. After saving the father, the suitor is forced back into the flames to rescue the trombone (“I will not leave it to perish,” the father cries; “My dear trombone!”). In his escape after reclaiming the trombone, the suitor is ultimately saved by the instrument, the slide of which he bends in order to assist in scaling the wall of the burning building. The trombone is easily repaired, the father gladly gives his daughter’s hand, and they all live happily ever after. The captions to the illustrations read, “The cheeks of Monsieur Rigaud became like huge balloons” (above-left) and “Then I sprang over the yawning chasm” (above-right) (images public domain) (Harper’s New Monthly Magazine, Vol. 51, No. 302 [July 1875], 225-230).

Bassoonist Does Battle

Another off-topic post, again about an image that I couldn’t pass up from Cassin-Scott and Fabb’s Military Bands and Their Uniforms (London: Blandford Press, 1978): We occasionally hear stories about military musicians pressed into actual combat situations. This picture, a 19th century engraving, captures a French bassoonist getting creative in order to hold off a Russian soldier (see below image; public domain) (Cassin-Scott 12).

Anonymous 19th-century engraving

Bandmaster Cigarettes–A Different Era

This is off-topic, but I came across this authentic cigarette advertisement from c. 1900 in Cassin-Scott and Fabb’s Military Bands and Their Uniforms (London: Blandford Press, 1978, p. 93) (see below image; public domain). There are several things here that make you scratch your head. We truly live in a different era!

Trombone History: Pair of Early Circus Posters

I continue to add to the 19th century timeline (2nd half). Over the weekend I added a pair of circus posters, both of them highlighting musicians. The first one, from Ringling Brothers, shows a large band with 10 trombones. The second, from Barnum & Bailey, features a small clown band as the focus of the image, including a trombonist. This second poster could be seen as related to the trombone-humor and trombone-clown themes in trombone history that I’ve mentioned elsewhere.

1895—United States: A Ringling Brothers circus poster advertises “A superb preliminary musical festival” by Liberati’s Band, billing the ensemble as “America’s grandest military concert band.” Pictured is a large band with 10 trombonists (see upper-right of below image; public domain).

1898—A circus poster for Barnum & Bailey’s Greatest Show on Earth features an 8-member clown band, plus conductor, that includes a trombone. The advertisement, with text printed in French, is from the circus’s European tour of 1897 through 1902 (see below image; public domain).