Alto in Treatises

Alto trombone position chart from Albrechtsberger's treatise, translated by Novello

Trombone History: Added a new page, Alto in Treatises, that gives quotations from more than 45 treatises, dictionaries, and methods, most of them primary sources. It is arranged chronologically and spans from 1600 through the first quarter of the 20th century, offering a compelling view of the role of the alto trombone in trombone history. The sources, taken as a whole, strongly suggest 1) a relatively common instrument, 2) an instrument pitched in the E-flat orbit (D, E-flat, F), and 3) an instrument closely correlated with alto clef.

Facing image: Alto trombone position chart from Albrechtsberger’s treatise, translated by Novello. Positions are shown in reverse order, 6th to 1st.

Robin Eubanks on “Electric Trombone”

Robin Eubanks is doing some interesting things with electronics and trombone. The techniques are not really new, but he has made this type of playing a specialty. He calls this tune “Blues for Jimi Hendrix.”

Trombone History: Marguerite Dufay, Parisian Music Hall Trombonist

In 1899, Louis Anquetin (1861-1932), a respected anti-Impressionist artist, published this lithograph of trombonist Marguerite Dufay. Part of the “Les Maitre de L’Affiches” series, it portrays a woman categorized amongĀ comique excentrique entertainers of the popular Parisian music cafes. Marguerite Dufay is said to have performed throughout Paris at its many music halls. It is not known whether she was also a skilled arm wrestler, although it would appear likely (sources: Charles Hiatt, Picture Posters: A Short History, p. 113; Ervine Metzl, The Poster: Its History and Its Art, p. 50).

Anquetin